“Seth material” search engine (Jane Roberts)

(There is the top half of a photograph on the back of the object, on the right. The photo is of Hoffman Nurseries, and features a sign. Beyond the sign to the left can be seen part of a station wagon. In back of the automobile can be seen a trestle-like affair, and in back of this indications of a building. It is indistinct in the poor quality photograph, but can be made out. Hoffman Nurseries is a local concern and actually contains many buildings. Portions of three smaller ads on back of the object also refer to local businesses, and would involve buildings.

(“More of an egg shape than a circle.” Seth gave this in answer to my second question, and continues below. See the data and our interpretation on page 109, with the description of the two near-circular sculptures in the same window of Bill Macdonnel’s gallery, with the disputed nude painting. Seth gave the above data when I asked him to clarify his original data on page 108. The smaller of the two sculptures is more egg-shaped than the larger. See the next impression.

(“White or bluish-white. Small in contrast to a larger shape perhaps.” As stated, the smaller of the two near-circular sculptures, about ten inches across, is of polished silvery metal, highly reflective. This gives it the bluish cast. It also looks whitish, and gray. The quality of light can cause these changes in color. When Jane and I visited the gallery window to check out this data before writing it up, we noted the three colors mentioned above in this particular sculpture—white, blue, gray.

(This metal sculpture, an estimated ten inches across its widest diameter, actually appears quite a bit smaller than the more round or circular ceramic sculpture at a foot across. But there is quite a difference in volume.