“Seth material” search engine (Jane Roberts)

(I found other copies of the article after the session. The actual copy used in the envelope is as usual on file in our object notebook. On the partial copy attached to page 104 I penned in the row of numbers representing the date after the session. The session was a comparatively short one and Seth did not go into each point in the data. Some of the data is self-explanatory when checked against the article.

An impression again of an unscheduled event also, or an event not kept. A series of numbers, and an indication of the passage of time. Blue green, written with a pen, or the color of blue ink. A connection with an L initial.

The number impression again, the series of numbers, perhaps with two initials. Here Ruburt is thinking of the address given you by a visitor last evening.

More of an egg shape than a circle. White or bluish-white. Small in contrast to a larger shape perhaps. The number 5.

(“A series of numbers, and an indication of the passage of time.” When I tore the article from the newspaper I wrote the month, day and year on it, not realizing the date was printed on the reverse side.

(“Blue green, written with a pen, or the color of blue ink.” I wrote the date at the top of the object with a ballpoint pen containing blue ink—the same pen used to duplicate this series of numbers on the copy of the object included with this session. The reference to green is interesting; my thought being that blue and green are next to each other on the color wheel and perhaps difficult for Seth to distinguish. Both are cool colors.

(“The number impression again…initials.” As Seth said this block of data pertained to an address Jane and I were given last evening, and is not related to the envelope object. The address also contained a series of numbers.

(“I mentioned several colors. The color bronze here.” This was in response to my third and last question, for more data on color connected with the object. Jane subjectively feels the bronze reference above deals with the overall color of Bill’s painting, discussed in the envelope object. In the first column Peggy Gallagher calls the painting done “In washed out shades of gray and orange.” Jane associates the gray and orange with bronze. I neglected to ask Seth about “The number 5.”