“Seth material” search engine (Jane Roberts)

(“With something revolving, and with an oval shape that is not a perfect circle.” In the third column of the envelope object there is a reference to “ceramics and metal sculpture” also in the window with the nude painting that is the subject of the object. Directly in back of the painting is a large circular ceramic sculpture, perhaps a foot in diameter, that is more egg-shaped than a perfect circle. This has a textured, matte surface. Just to the right of this sculpture is another egg-shaped sculpture; this one is of polished silvery metal and is perhaps ten inches across. It stands on a wooden pedestal; the polished reflections in it seem to move as one’s viewpoint changes. We believe this is the oval shape Seth refers to, in light of his answer to my second question.

(“White or bluish-white. Small in contrast to a larger shape perhaps.” As stated, the smaller of the two near-circular sculptures, about ten inches across, is of polished silvery metal, highly reflective. This gives it the bluish cast. It also looks whitish, and gray. The quality of light can cause these changes in color. When Jane and I visited the gallery window to check out this data before writing it up, we noted the three colors mentioned above in this particular sculpture—white, blue, gray.

(This metal sculpture, an estimated ten inches across its widest diameter, actually appears quite a bit smaller than the more round or circular ceramic sculpture at a foot across. But there is quite a difference in volume.