him

1 result for (book:tes6 AND session:252 AND stemmed:him)

TES6 Session 252 April 20, 1966 5/86 (6%) sculpture bronze Bill column Macdonnel
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 252 April 20, 1966 9 PM Wednesday as Scheduled

[... 25 paragraphs ...]

As sensitivity increases it will be necessary for him to distinguish among them; that is, to distinguish so that he realizes the differences between his own sensations, and any he may have inadvertently picked up. He will have no difficulty doing this. His abilities have increased, in line with his discipline, so that he will be able to make such distinctions. The first instance simply caught him unawares.

[... 35 paragraphs ...]

(This did mark the end of the session as far as Seth was concerned. Jane and I made the connections that were clear to us. We would have liked Seth’s help on a few, but did not ask him to resume. See the copy of the envelope object on page 104.

[... 5 paragraphs ...]

(“An organized endeavor.” Certainly the pressure applied to Bill Macdonnel by three police visits or calls, in an effort to get him to remove the painting from the window. A slightly different interpretation here would be that the police constitute an organization, and that their efforts to have Bill remove the painting constitute an endeavor.

[... 9 paragraphs ...]

(“A mishmash, as of tiny crisscrossing wires.” Seth gave this answer to my question in which I asked him to say more about the object itself. The object consists of small printed type which was folded several times; such an impression of tiny criss-crossings could occur to an entity with the ability to see through the layers of the object, so to speak, or to pick up the impressions resulting from layers. This gets complicated however as will be seen in the next impression. [A later note by Rob: Bill had a small scuplture of criss-crossing wires in a gallery window.]

[... 2 paragraphs ...]

(“More of an egg shape than a circle.” Seth gave this in answer to my second question, and continues below. See the data and our interpretation on page 109, with the description of the two near-circular sculptures in the same window of Bill Macdonnel’s gallery, with the disputed nude painting. Seth gave the above data when I asked him to clarify his original data on page 108. The smaller of the two sculptures is more egg-shaped than the larger. See the next impression.

[... 4 paragraphs ...]

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