“Seth material” search engine (Jane Roberts)

Give us a moment here, to make some explanations clear.

(True. See the summary of the unscheduled 247th session, which was held at the home of our landlady, Marian Spaziani. In the session Seth dealt with the coming operation Marian faces for an ovarian tumor that is benign, and gave Marian ideas for suggestion. Jane visited with Marian one morning early last week, and for the next day or two remarked that she felt quite like Marian’s description of her own symptoms. We considered that Jane was reacting to suggestion here, but were rather surprised since Jane knows how to guard against negative suggestion as a rule.

The number impression again, the series of numbers, perhaps with two initials. Here Ruburt is thinking of the address given you by a visitor last evening.

I mentioned several colors. The color bronze here.

(The results of the experiment were good, and note here that they were obtained after a short vacation. When the experiments began any sort of interruption as far as the envelopes were concerned resulted in a letdown in the next few experiments.

(“and something not kept.” This can refer to the last sentence above. There can be another interpretation here as will be shown.

(“An organized endeavor.” Certainly the pressure applied to Bill Macdonnel by three police visits or calls, in an effort to get him to remove the painting from the window. A slightly different interpretation here would be that the police constitute an organization, and that their efforts to have Bill remove the painting constitute an endeavor.

(“A connection with something distant,” In the sixth column of the envelope object there is a reference to Corning—Painted Post School District, which employs Bill as an art teacher. This is perhaps twenty-five miles away. Bill lives here in Elmira and commutes to work daily. The time he can spend at his gallery in Elmira is thus quite limited—another reason for the schedule of hours posted in one of the windows, as mentioned on page 109.

(“A connection with an L initial.” Jane and I made no connections here, and would have liked to ask Seth about this.

(“I mentioned several colors. The color bronze here.” This was in response to my third and last question, for more data on color connected with the object. Jane subjectively feels the bronze reference above deals with the overall color of Bill’s painting, discussed in the envelope object. In the first column Peggy Gallagher calls the painting done “In washed out shades of gray and orange.” Jane associates the gray and orange with bronze. I neglected to ask Seth about “The number 5.”