1 result for (book:tes6 AND session:252 AND stemmed:color)
7/86 (8%)
sculpture
bronze
Bill
column
Macdonnel
[... 45 paragraphs ...]
An impression again of an unscheduled event also, or an event not kept. A series of numbers, and an indication of the passage of time. Blue green, written with a pen, or the color of blue ink. A connection with an L initial.
[... 9 paragraphs ...]
(“How about the colors connected with the object?”)
I mentioned several colors. The color bronze here.
[... 17 paragraphs ...]
(“Blue green, written with a pen, or the color of blue ink.” I wrote the date at the top of the object with a ballpoint pen containing blue ink—the same pen used to duplicate this series of numbers on the copy of the object included with this session. The reference to green is interesting; my thought being that blue and green are next to each other on the color wheel and perhaps difficult for Seth to distinguish. Both are cool colors.
[... 6 paragraphs ...]
(“White or bluish-white. Small in contrast to a larger shape perhaps.” As stated, the smaller of the two near-circular sculptures, about ten inches across, is of polished silvery metal, highly reflective. This gives it the bluish cast. It also looks whitish, and gray. The quality of light can cause these changes in color. When Jane and I visited the gallery window to check out this data before writing it up, we noted the three colors mentioned above in this particular sculpture—white, blue, gray.
[... 1 paragraph ...]
(“I mentioned several colors. The color bronze here.” This was in response to my third and last question, for more data on color connected with the object. Jane subjectively feels the bronze reference above deals with the overall color of Bill’s painting, discussed in the envelope object. In the first column Peggy Gallagher calls the painting done “In washed out shades of gray and orange.” Jane associates the gray and orange with bronze. I neglected to ask Seth about “The number 5.”
(Neither of us had seen Bill’s painting at the time the newspaper article was published, or this session held, on Wednesday, April 20. We did see it this morning, April 23. I can say the overall tone of the painting is of an orange gray, [bronze?] with other very muted colors interwoven.)