1 result for (book:tes6 AND session:252 AND stemmed:chang)

TES6 Session 252 April 20, 1966 5/86 (6%) sculpture bronze Bill column Macdonnel
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 252 April 20, 1966 9 PM Wednesday as Scheduled

[... 1 paragraph ...]

(The scheduled session for Monday, April 18 was not held, and we enjoyed the change of pace. We hoped Seth would deal with any object Dr. Instream had focused on Monday night, as well as the object for last Wednesday April 13.

[... 7 paragraphs ...]

Ruburt is making certain rather important inner adjustments, that are resulting, or will very shortly result, in a definite expansion of consciousness and ability. To some extent these changes are structural, in that pathways of activity are being formed more completely.

[... 1 paragraph ...]

The pathways are now becoming clear enough so that a change will be effectively apparent. Some of this is the result of the practice gained in psychic manipulation through our sessions themselves.

[... 53 paragraphs ...]

(“With something revolving, and with an oval shape that is not a perfect circle.” In the third column of the envelope object there is a reference to “ceramics and metal sculpture” also in the window with the nude painting that is the subject of the object. Directly in back of the painting is a large circular ceramic sculpture, perhaps a foot in diameter, that is more egg-shaped than a perfect circle. This has a textured, matte surface. Just to the right of this sculpture is another egg-shaped sculpture; this one is of polished silvery metal and is perhaps ten inches across. It stands on a wooden pedestal; the polished reflections in it seem to move as one’s viewpoint changes. We believe this is the oval shape Seth refers to, in light of his answer to my second question.

[... 15 paragraphs ...]

(“White or bluish-white. Small in contrast to a larger shape perhaps.” As stated, the smaller of the two near-circular sculptures, about ten inches across, is of polished silvery metal, highly reflective. This gives it the bluish cast. It also looks whitish, and gray. The quality of light can cause these changes in color. When Jane and I visited the gallery window to check out this data before writing it up, we noted the three colors mentioned above in this particular sculpture—white, blue, gray.

[... 3 paragraphs ...]

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