1 result for (book:tes6 AND session:252 AND stemmed:articl)
6/86 (7%)
sculpture
bronze
Bill
column
Macdonnel
[... 2 paragraphs ...]
(The 48th envelope experiment was held during the session. See the copy of the object on page 104. We had saved the article because it dealt with our friend Bill Macdonnel, who has witnessed several sessions. When Bill visited us early this evening I thought of using the clipping as object.
(I found other copies of the article after the session. The actual copy used in the envelope is as usual on file in our object notebook. On the partial copy attached to page 104 I penned in the row of numbers representing the date after the session. The session was a comparatively short one and Seth did not go into each point in the data. Some of the data is self-explanatory when checked against the article.
[... 58 paragraphs ...]
(“A connection with something ripped or torn out.” Originally I tore the article out of the paper. Note that signs of this are still visible on the left hand edge. The bottom of the clipping was also rough, and I clipped it evenly with scissors before filing it; this was before I thought of using it as object; Jane of course knew I saved the article because it pertained to Bill Macdonnel. As it happened my clipping the article along the bottom made it fit just right between the usual two pieces of Bristol, and into the double envelopes.
(“A connection with a schedule,” Bill Macdonnel’s gallery referred to in the article is a converted store with an inset door. Thus it has two display windows, one on each side of the door. The so-called disputed painting is in one window. In the window opposite it Bill has a large hand-lettered sign dealing with the hours when his gallery is open to visitors and for painting classes. Bill has been ill recently and has not maintained his advertised schedule, which has resulted in some confusion.
[... 9 paragraphs ...]
(“A series of numbers, and an indication of the passage of time.” When I tore the article from the newspaper I wrote the month, day and year on it, not realizing the date was printed on the reverse side.
[... 10 paragraphs ...]
(Neither of us had seen Bill’s painting at the time the newspaper article was published, or this session held, on Wednesday, April 20. We did see it this morning, April 23. I can say the overall tone of the painting is of an orange gray, [bronze?] with other very muted colors interwoven.)