“Seth material” search engine (Jane Roberts)

(I remembered very little about the bow, yet subjectively I was sure it had been taken from a greeting card of some kind. I work for a greeting card company, but did not remember seeing other ribbons like it there in particular. I did not recall the card the ribbon came from, nor why I had removed it—if I was the one who had done so. I hoped Seth could fill us in on the details. The bow was in poor condition, and I assumed I had carried it home in a coat pocket sometime last winter.

(Jane’s pace was faster now, and her eyes had begun to open as she sipped some wine occasionally. If she was tired she gave no indication. I felt it was going to be one of those sessions where she became really involved with the material.

The idea will seem legitimate, and then suddenly it will fall apart. It will fall apart for a very simple reason, and for a more profound one.

We will say what we have to say, and then clarify for you later as we go along. Now. To look backward into the past, speaking on my terms now and not yours, to look backward into the past entails looking forward into the future, and there is no firm ground, you see; there is no present in a basic manner, no firm ground that is the present, from which to view the future or the past. For they are all one, and you are a part of the spacious present.

Now the quasars represent pure energy, basically speaking. Your scientists presently have little idea of what this means, for comparatively speaking they conceive of energy in one-dimensional terms. You know what antimatter is. You know what positive matter is. Both of these represent realities that you can understand rather easily.

Three one five connected here. Perhaps the passage was on the page number three one five. Perhaps this is the time of the disagreement, or an address number, I do not know.

Now the object. A cube or square-shaped object like a dice. White, with one black circle on it, or on the portion facing upward.

A note. Dark ink or print. A distant connection with a rose. Something rising, or flowers. A connection with a supper, and with one, nine, four, two.

A distant connection with railroad tracks or parallel lines that certainly resemble them. The number one.

A separate small building, or one separate room away from others. And a connection with a gathering. Also with 1963. An address on the object, or two addresses. One paragraph.

(“The number one. A spring.” Jane said the flower data earlier in the material could have given rise to this personal association: She thought of times in her childhood when her grandmother took her on a walk to the park in Saratoga Springs, NY. In the park they often visited a particular sulphur water spring designated as Number One Spring.

(Seth refers to a young artist I work with. I am not sure just when Curt joined Artistic, except that it was probably after 1963. But not much after. If the card in question was revamped in 1963 it is possible that Curt might have handled it as one of his first jobs.