“Seth material” search engine (Jane Roberts)

(Jane’s pace was faster now, and her eyes had begun to open as she sipped some wine occasionally. If she was tired she gave no indication. I felt it was going to be one of those sessions where she became really involved with the material.

Now. They represent energy in a much more pure form than any with which you are acquainted in your system. This does not necessarily mean that such energy as that displayed by the quasars does not exist within your system. We shall discuss that later. But you are not acquainted with the existence of such energy.

Now. Looking from your planet, outward as you think, at the quasars, your scientists believe that they look backward in space, in your terms. This is erroneous. It is true enough within the present framework of your knowledge, and the idea will work in the same way that the cause and effect theory works, which is only up to a certain point.

(Jane was now speaking rapidly and using many gestures. Her eyes were open much of the time and were very dark.)

We will say what we have to say, and then clarify for you later as we go along. Now. To look backward into the past, speaking on my terms now and not yours, to look backward into the past entails looking forward into the future, and there is no firm ground, you see; there is no present in a basic manner, no firm ground that is the present, from which to view the future or the past. For they are all one, and you are a part of the spacious present.

(Break at 9:27. Jane said she was really “out”, or that Seth was really “in.” She was aware of nothing but the material while speaking, and felt the ideas were good. Her pace had been fast toward the end of the delivery; her eyes had been open much of the time and very dark, and she had spoken with emphasis and many gestures. She now felt much better. She said she wouldn’t have been surprised had Seth called off the session in the beginning.

Now the quasars represent pure energy, basically speaking. Your scientists presently have little idea of what this means, for comparatively speaking they conceive of energy in one-dimensional terms. You know what antimatter is. You know what positive matter is. Both of these represent realities that you can understand rather easily.

(Jane’s eyes had been opening again and her pace was speeding up. Now she put out her cigarette, took a sip of wine, and went into a pause lasting at least a minute.)

The complexity is literally too much for your language. These quasars were not discovered earlier because your astronomers would not see them. That they see them now is a direct result of enlarged concept patterns on their part.

Now, even the home skies about you are filled with other realities, as I have said often. You will perceive the existence of these realities with various instruments in the future, but only their existence. You will not perceive their nature.

(It was now time for the 54th Dr. Instream experiment. Jane’s pace slowed again, and she sat with a hand raised to her closed eyes. Resume at 10:10.)

Now give us a moment, please, for our Dr. Instream material. We will give the object shortly.

First of all I have the word groan. Now whether this is spelled g-r-o-a-n, or g-r-o-w-n, I do not know. Nor do I know to what it refers.

(Jane paused at 10:16, her eyes still closed. Our kitchen window had been open during the evening and traffic noise was audible, as usual. We hadn’t been bothered by it particularly before this. I now left my chair to shut it.)

Now the object. A cube or square-shaped object like a dice. White, with one black circle on it, or on the portion facing upward.

Now I have the impression that the shadow-shapes are like a latticework of leaves, with the sky behind them. I do not know if this is literal, but it is the impression I get from the shapes.

Now, the numbers referred to a number on the card. I do not know if this was a catalog number, but some identifying number.

It is now in a file. Some narrow metal rectangular compartment, apart from others of its kind, and there is a connection with the artist here. That is, it has been kept aside because of something having to do with the artist.

You do not handle the line now, but the card has been kept.