“Seth material” search engine (Jane Roberts)

He wants to know in what dimension dream locations have their reality, and indeed he has considered all of the possibilities save the correct one. The correct one is the most simple one.

Each dream location is created by the individual precisely in the same way that I have explained to you; that is, they do not differ basically from physical locations, but in one degree. The difference is mainly that they need not be perceived by others.

The question however, in what dimensions do dream locations exist, was simply based. Nevertheless it is one that has many implications, for which you need more background. I will attempt a simplified explanation then. Do you remember some of the material that I gave concerning the expanding universe?

What you have is this. Let us speak no more of a conscious self and a subconscious or unconscious self. There is one self, and it focuses its consciousness in various dimensions, and that is all.

I have the impression of four. Now I believe that this refers to four photographs. One taken many years ago, in a location near a body of water. Four people in this photograph, parents and two children.

Seven. A miscellany of shapes that all point toward one direction. 2 o’clock. A connection with a March 13 or 15 date, I believe.

(We believe we have made some progress checking Seth’s impressions in this case, and they involve Bill Macdonnel, John Bradley, and Peggy Gallagher among others. It isn’t necessary here to go into these points in detail one by one, either in the data on page 32, or on the envelope object. But we do believe these excerpts from page 32 apply to Peggy and her place of employment, the local newspaper: “A crisis involving health. A doctor… A connection with a man who can be considered an outsider to a group. He is connected with the crisis.”

(“A bright color suggesting sunlight.” We don’t know. A reference to the flashgun? Peggy took three shots of Jane during the envelope data. The sunlight reference is one occurring once in a while in the envelope data, and sometimes involves circles of bright colors. The object tonight is white paper, but then many objects are.

(“The number three, the number six, though not necessarily in that order.” The object contains the date in this fashion—March 23,1966—as well as the number three one other time, with some other numbers.

(“A miscellany of shapes that all point toward one direction.” This is one of Seth/Jane’s favorite ways to refer to writing, whether handwritten or printed. The pointing reference we think a reference to the uniform direction of the verticals in my script.