1 result for (book:tes6 AND session:244 AND stemmed:all)
8/93 (9%)
Peggy
locations
photograph
envelope
switch
[... 12 paragraphs ...]
He wants to know in what dimension dream locations have their reality, and indeed he has considered all of the possibilities save the correct one. The correct one is the most simple one.
[... 11 paragraphs ...]
(See sessions 42-45. But as early as the 15th session Seth was discussing these problems as related to dreams. All in Volume 1.)
[... 8 paragraphs ...]
Pretend, all of you for a moment, that you are looking at this situation from the other side. Pretend that while you are in the dream state, you are concerned with the problem of consciousness and existence. From that viewpoint the picture is entirely different, for you are indeed conscious while you sleep.
[... 1 paragraph ...]
What you have is this. Let us speak no more of a conscious self and a subconscious or unconscious self. There is one self, and it focuses its consciousness in various dimensions, and that is all.
[... 29 paragraphs ...]
Seven. A miscellany of shapes that all point toward one direction. 2 o’clock. A connection with a March 13 or 15 date, I believe.
[... 4 paragraphs ...]
If I am not too humorous this evening, it is because in our regular sessions I am too concerned with their education. My heartiest regards to all.
[... 1 paragraph ...]
(End at 10:23. Jane was dissociated as usual, she said. Her eyes had begun to open toward the end of the delivery, and her voice became humorous. Peggy Gallagher had taken ten photographs in all, and the taking of them had not seemed to bother Jane. I did think the envelope data had probably been shortened somewhat.
[... 14 paragraphs ...]
(“A miscellany of shapes that all point toward one direction.” This is one of Seth/Jane’s favorite ways to refer to writing, whether handwritten or printed. The pointing reference we think a reference to the uniform direction of the verticals in my script.
[... 4 paragraphs ...]