“Seth material” search engine (Jane Roberts)

Our last session proved to be a most beneficial one. It was good for Ruburt’s confidence to hold a session away from home, and before people who though far from strangers, are nevertheless not closely associated in daily life.

It goes without saying that had Ruburt known beforehand the subject matter of the session, he would have blocked it. I certainly did not myself press for a session, though I was glad to be of help, as far as the personality about whose problems the session revolved.

It was however Ida’s quite sincere curiosity, and her open-minded willingness to perceive, that subconsciously caused Ruburt to agree to the session. The rapport existing as a rule between twins, and that does indeed exist, between Loriza, L-o-r-i-z-a and her twin (sister), goes far to account for Loriza’s latent intuitive, but partial, inner comprehension of the elements that work within, say, telepathy.

Your personal work, both yours and Ruburt’s, will benefit whoever sees your paintings or reads Ruburt’s poetry. It is performed however in solitary and divorced, as it must be, from an intimate contact with people. It is only natural that you carry this over into our sessions, preferring that they be held without such contact. This is not only understandable but in many instances profitable, in that it allows for a diversity of subject matter.

I abhor fanaticism of any type yet I do not feel, myself, that a sincere request under ordinary circumstances should be denied. It is true that conditions were far from ordinary on the evening when Ruburt’s father and the poor personality of the woman were here, and under such circumstances generally, I would certainly not recommend a session.

It was the woman’s deep need which would have let me make an exception, and yet I promise you that on no occasion will I try to coerce Ruburt into giving a session. By the same token I will not be coerced, ever, into giving a session.

Ruburt is coming along well in the gallery situation. You should have a good winter, both of you. If Ruburt can stand it, I would suggest a three-day period after he leaves the gallery, during which he does no writing. Perhaps playing about his apartment while instructing his subconscious to work for him in the interval, and completely divorcing his conscious mind from his writing for that period of time. Such a method will result in maximum use of his abilities, and more practical utilization of energy.