“Seth material” search engine (Jane Roberts)

(Willy now jumped up once more. Reaching for him to make him move, I grabbed his tail and at the same time nearly lost my balance. I pulled Willy backward. He came loose, but at the same time his claws came out in a reflex action. I heard them scrape across Jane’s lap. Jane’s eyes snapped open and she cried out. It was evident that the cat had scratched her through her dress. Jane clearly did not know what had happened exactly; she appeared to be dazed. I said nothing, not wanting to pull her out of her state any more abruptly. I was then surprised to see her sit quietly, finally close her eyes, and go back into her full state. If Willy’s scratches hurt she gave no sign. Indeed, Jane smiled as she began speaking again. Resume at 10:31.)

(I have just finished an oil painting of two heads, male; one of the characters appealed greatly to Jane, and had since the beginning. I had not given it much thought, beyond wondering where I had gotten the idea for the painting to begin with. I had taken it somewhat for granted that the faces I painted were the result of some kind of telepathic information or subconscious memory. In the past Seth has stated that I often use these sources of information for my portraits. The head Jane likes is of a blond man, quite heavyset and evidently of a massive build. The features are rather regular, although the nose is somewhat prominent, the jaw square, the eyes blue. Jane does not care much for the other head in the painting, although as I worked on the picture I was as much intrigued by this head as by the other.