“Seth material” search engine (Jane Roberts)

(Break at 9:24. Jane was well dissociated. She said the time had gone so fast it appeared that only two or three minutes had elapsed. She resumed in the same rather strong manner at 9:34.)

You have set up more blocks than he has. He will be more vulnerable or receptive to your moods than you are to his. You fear moods more than he does, because of the constant emotional gyrations in which your mother is constantly involved. You fear Ruburt’s moods also, for this reason, fearing that you might be swept away by them. For as a child you feared you would be swept away by the raw emotions of your parents, and you feel insecure at such demonstrations. As I have said, you two temperamentally balance each other well.

(I have just finished an oil painting of two heads, male; one of the characters appealed greatly to Jane, and had since the beginning. I had not given it much thought, beyond wondering where I had gotten the idea for the painting to begin with. I had taken it somewhat for granted that the faces I painted were the result of some kind of telepathic information or subconscious memory. In the past Seth has stated that I often use these sources of information for my portraits. The head Jane likes is of a blond man, quite heavyset and evidently of a massive build. The features are rather regular, although the nose is somewhat prominent, the jaw square, the eyes blue. Jane does not care much for the other head in the painting, although as I worked on the picture I was as much intrigued by this head as by the other.