1 result for (book:tes3 AND session:104 AND stemmed:work)

TES3 Session 104 November 4, 1964 5/84 (6%) Jimmy sale warning dump rush
– The Early Sessions: Book 3 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 104 November 4, 1964 9 PM Wednesday as Scheduled

[... 3 paragraphs ...]

(Concerning Seth’s statements that Jane will soon make a writing sale, she has nothing to report yet. See pages 102, 107 and 114 in this volume. She continues however to receive very complimentary letters concerning her work.

[... 24 paragraphs ...]

For the present Ruburt’s ego will exert balancing resistance, like an anchor perhaps, or a weight. However the inner self has also tasted new freedom, so there will be a brief jolting while the relationships and forces work themselves out to achieve a new, integrated balance.

[... 2 paragraphs ...]

It is a matter of Ruburt’s own forces, that must always work in balance. Some rather harmless diversities of purpose, and temporary imbalance, may most probably be expected at various times while the whole self becomes acquainted with a new level of achievement.

[... 8 paragraphs ...]

Also this ability to handle energy is carried over into other life areas, that is other areas in this life. It is no coincidence that Ruburt’s writing, and even his painting, is also showing advancement to a higher level of its own, as your work also shares in your increased abilities to use and handle inner energy.

[... 12 paragraphs ...]

(Seth’s statements about my receiving telepathic images interested me greatly, since I have been aware for some years now that I would much rather do a portrait without a model. That is, I greatly enjoy setting to work to “make up” a character, then paint it. I have found that for me working from a model is rather boring and somehow limiting. My best drawings, particularly in ink and oil, have been produced in this fashion, and I used to think it rather strange that I liked to work this way. In fact, Jane has often mentioned the fact that I have seldom used even her as a model. I have done so a few times. The situation is about to be remedied however, since as my work continues to expand I now discover that I want to use models also, and have several paintings planned in which she will appear.

[... 29 paragraphs ...]

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