1 result for (book:tes1 AND session:25 AND stemmed:music)
[... 32 paragraphs ...]
Again, the impressions received by the inner senses are actually concrete in a way that you do not yet understand. This data also has physical effects upon the brain. In the same manner that impressions received from outside stimuli affect the brain, they make their impression upon it. They change the personality as any experience changes a personality. To insist upon evidence in terms of outside sensual data is as ridiculous a notion as to expect a camera to play music.
Music exists and can be played on a phonograph. Sights can be captured by camera. But you do not expect music to come from a camera. You do not expect a phonograph to take pictures, yet while you are listening to music from a phonograph this does not mean, even to you, that cameras do not record sight. You are expecting the outer senses to do something they are not capable of doing, of receiving or performing in a way that is alien to them. You are expecting them to act like a camera that can pick up music, and because the camera does not pick up music you are saying that music does not exist.
At the same time, using the rather weak analogy of music as compared to inner data, you are refusing to use the phonograph. That is, you are refusing to use the very inner senses which are equipped to handle the data that you wish to capture.
[... 54 paragraphs ...]