“Seth material” search engine (Jane Roberts)

This talent for using energy to form unit patterns is elemental, not only on your plane but in all other planes. It involves drawing upon the basic vitality of the universe in using the inner senses, and actually pulling to oneself more and more of this underlaying vitality. Lest this suggest images of graspy potbellied souls, gluttonously grabbing the stuff of the universe for themselves out of the mouths of the less ambitious, let me hasten to inform you that such is not the case.

We have, I believe, used the analogy of air, comparing it to the vitality of the universe in one of our previous sessions. As air is dispelled from the lungs in various forms and used and reused without any loss of power, strength or quantity, so is the vitality of which we speak used in different manners. So does it enter as one thing many times, and so does it emerge as something different many times; and so does it change shape and content, and so does it show many faces and yet never disappears. And as air seems invisible so does this vitality seem invisible, and yet like air this vitality gives shape to every object that you see, and so does it form every camouflage. Without it all camouflage would vanish. And so the ability to use this vitality well is as necessary to life as is the necessity to use air for breathing.

It is on your part more than anything else, a simple refusal to admit into existence anything that is not a camouflage pattern. Camouflage patterns are of course, with again some exceptions, essentials on any plane, since each type represents the actual form of the plane and the various characteristics within it. Nevertheless it is possible, and actually much more efficient and simple, to accept this fact and also realize and admit the inner vitality behind the camouflage.

The facts are simply that you yourselves form these camouflage patterns, and I repeat this simple statement: You form the camouflage world of appearances with the same part of you that breathes. You do not admit the breather as really being a part of yourselves, nor do you admit the creator of the camouflaged physical world as being part of yourselves.

But since it is so difficult for man to even recognize the self that moves his own muscles and breathes his own breath, then I suppose it should not be startling that he cannot realize that this whole self also forms the camouflage world of physical appearance, in almost the same manner that he forms a pattern with his breath upon a glass pane.

The poetry has always been the result of facility in use of the inner senses, but until lately he was unable to give this sufficient pattern in terms of unitary form. His efforts in the book The Physical World as Idea Construction represented a breakthrough on his part. He realized, I believe, from the beginning that the conscious critical mind had little to do with the initial conception.

The book was a first attempt in forming a definite pattern of the material that he was receiving from the inner senses. He was beginning to recognize the whole self. The only reason the whole self is not much more conscious and accessible is your own stubborn refusal to admit it. I cannot emphasize this more strongly. The camouflage pattern world is formed by the mind, and I am using this now in its true term as a part of the inner world. Energy is received by the mind through the inner senses and transformed by use of mental enzymes into camouflage patterns.

Because I say that you actually create the typical camouflage patterns of your own physical universe yourselves, by use of the inner vitality of the universe in the same manner that you form a pattern with your breath on a glass pane, I do not necessarily mean that you are the creators of the universe. I merely am saying that you are the creators of the physical world as you know it—and herein, my beloved friends, lies a vast tale.

Nor do I know all the answers. It is however a fact that even mankind, in his blundering manner, will discover that he himself creates his own physical universe, and that the mechanisms of the physical body have more functions and varieties than he knows. Nor in the sleeping state are these functions stilled. They continue in an even more direct form than they do when he is awake. He creates when he dreams in a truer and less distorted fashion, and his physical world is much more the product of his dreaming self than it is of his waking state.

(While writing out this statement, I am reminded that I experienced the same sensation, one time in a milder form, about a year ago. It happened on my job at Artistic Card Co., at noon. I was alone in the art room, eating lunch at my desk, when the feeling swept over me from head to foot. There was no warning, no pain, but the surprise of it doubled me over my desk. I was of course frightened momentarily, thinking of some kind of attack, but it quickly passed and did not return. I happened to be alone at the time.