“Seth material” search engine (Jane Roberts)

At that time old challenges had been met and old debts had been paid, to a large degree. I will not make this evening’s session too long because of last evening’s unscheduled one. However as you have probably supposed by now, change of sex and race is the usual as far as continuing existences on your plane are concerned.

We have, I believe, used the analogy of air, comparing it to the vitality of the universe in one of our previous sessions. As air is dispelled from the lungs in various forms and used and reused without any loss of power, strength or quantity, so is the vitality of which we speak used in different manners. So does it enter as one thing many times, and so does it emerge as something different many times; and so does it change shape and content, and so does it show many faces and yet never disappears. And as air seems invisible so does this vitality seem invisible, and yet like air this vitality gives shape to every object that you see, and so does it form every camouflage. Without it all camouflage would vanish. And so the ability to use this vitality well is as necessary to life as is the necessity to use air for breathing.

(Break at 10:32. During break Jane seemed to become aware of several things at once. She said she thought she’d been in a trance of some kind almost from the beginning of the session. She had no memory of giving the above monologue; she said it was as though she had “vanished.” I told her that of course she was with me all the time, pacing so fast that at times it was distracting. The material, she said, came through with no distortion at all. She felt as though she were a pure vehicle; she had no conscious thoughts about it, she was hardly aware of her environment at all. She had a vague memory of picking up a wineglass once. Actually I had watched her smoke a couple of cigarettes while dictating, pace back and forth, pause to look out the windows, etc. She did not feel tired, nor had her voice shown any changes.

(Through this session her voice had been normal. However when she resumed dictation her voice abruptly changed pitch, rising several notes up the scale. It was not a falsetto voice yet was close to it, and was the first use of this kind of voice. She maintained it until the close of the session, along with her fast pacing. Resume at 11:27.)