“Seth material” search engine (Jane Roberts)

(9:45.) The Hebrew god, however, represented a projection of a far different kind. Man was growing more and more aware of the ego, of a sense of power over nature, and many of the later miracles are presented in such a way that nature is forced to behave differently than in its usual mode. God becomes man’s ally against nature.

The early Hebrew god became a symbol of man’s unleashed ego. God behaved exactly as an enraged child would, had he those powers, sending thunder and lightning and fire against his enemies, destroying them. Man’s emerging ego therefore brought forth emotional and psychological problems and challenges. The sense of separation from nature grew. Nature became a tool to use against others.

(10:24.) God, therefore, became an idea projected outward, independent of the individual, divorced from nature. He became the reflection of man’s emerging ego, with all of its brilliance, savagery, power, and intent for mastery. The adventure was a highly creative one despite the obvious disadvantages, and represented an “evolution” of consciousness that enriched man’s subjective experience, and indeed added to the dimensions of reality itself.

To be effectively organized, however, inner and outer experience had to appear as separate, disconnected events. Historically the characteristics of God changed as man’s ego changed. These characteristics of the ego, however, were supported by strong inner changes.

The original propulsion of inner characteristics outward into the formation of the ego could be compared with the birth of innumerable stars — an event of immeasurable consequences that originated on a subjective level and within inner reality.

The ego, having its birth from within, therefore, must always boast of its independence while maintaining the nagging certainty of its inner origin.

The ego feared for its position, frightened that it would dissolve back into the inner self from which it came. Yet in its emergence it provided the inner self with a new kind of feedback, a different view not only of itself; but through this, the inner self was able to glimpse possibilities of development of which it had not previously been aware. In your terms, by the time of Christ, the ego was sure enough of its position so that the projected picture of God could begin to change.

(10:38.) So the concept of God began to change as the ego recognized its reliance upon inner reality, but the drama had to be worked out within the current framework. Mohammedanism was basically so violent precisely because Christianity was basically so gentle. Not that Christianity was not mixed with violence, or that Mohammedanism was devoid of love. But as the psyche went through its developments and battled with itself, denying some feelings and characteristics and stressing others, so the historic religious exterior dramas represented and followed these inner aspirations, struggles, and searches.

(10:45.) Behind all faces there is one face, yet this does not mean that each man’s face is not his own. The further religious drama of which I have spoken, in your terms still to come, represents another stage in both the internal and external dramas in which the emergent ego becomes aware of much of its heritage. While maintaining its own status, it will be able to have much greater commerce with other portions of the self, and also to offer to the inner self opportunities of awareness that the inner self on its own could not procure.

In your terms, the ideas of good and evil help you recognize the sacredness of existence, the responsibility of consciousness. The ideas of opposites also are necessary guide lines for the developing ego. The inner self knows quite well the unity that exists.