“Seth material” search engine (Jane Roberts)

Man desired in one way to step out of himself, out of the framework in which he had his psychological existence, to try new challenges, to step out of a mode of consciousness into another. He wanted to study the process of his own consciousness. In one way this meant a giant separation from the inner spontaneity that had given him both peace and security. On the other hand, it offered a new creativity, in his terms.

(10:24.) God, therefore, became an idea projected outward, independent of the individual, divorced from nature. He became the reflection of man’s emerging ego, with all of its brilliance, savagery, power, and intent for mastery. The adventure was a highly creative one despite the obvious disadvantages, and represented an “evolution” of consciousness that enriched man’s subjective experience, and indeed added to the dimensions of reality itself.

(Slower now): All of this material now given must be considered along with the fact that beneath these developments there are the eternal aspects and creative characteristics of a force that is both undeniable and intimate. All That Is, in other words, represents the reality from which all of us spring. (Pause, one of several.) All That Is, by its nature, transcends all dimensions of activity, consciousness, or reality, while being a part of each.

Now: Such an alliance sets up certain fields of attraction. A man who attaches himself to one of the gods is necessarily attaching himself largely to his own projections. Some, in your terms, are creative, and some destructive, though the latter are seldom recognized as such.