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SS Part Two: Chapter 14: Session 560, November 23, 1970 5/43 (12%) drama Christ twelve disciples God
– Seth Speaks: The Eternal Validity of the Soul
– © 2012 Laurel Davies-Butts
– Part Two
– Chapter 14: Stories of the Beginning, and the Multidimensional God
– Session 560, November 23, 1970, 9:10 P.M. Monday

[... 13 paragraphs ...]

(9:46.) Your Christ figure represents, symbolically, your idea of God and his relationships. There were three separate individuals whose history blended, and they became known collectively as Christ — hence many discrepancies in your records. These were all males because at that time of your development, you would not have accepted a female counterpart.

These individuals were a part of one entity. You could not but imagine God as a father. It would never have occurred to you to imagine a god in any other than human terms. Earth components. These three figures worked out a drama, highly symbolic, propelled by concentrated energy of great force.

[... 2 paragraphs ...]

Each of the twelve represented qualities of personality that belong to one individual, and Christ as you know him represented the inner self. The twelve, therefore, plus Christ as you know him (the one figure composed of the three) represented an individual earthly personality — the inner self — and twelve main characteristics connected with the egotistical self. As Christ was surrounded by the disciples, so the inner self is surrounded by these physically oriented characteristics, each drawn outward toward daily reality on the one hand, and yet orbiting the inner self.

[... 13 paragraphs ...]

(Pause at 10:41.) Other religions were based upon different dramas, in which ideas were acted out in a way that was comprehensible to various cultures. Unfortunately, the differences between the dramas often led to misunderstandings, and these were used as excuses for wars. These dramas are also privately worked out in the dream state. The God-personified figures first were introduced to man in the dream state, and the way then prepared.

In visions and inspirations, men knew that the Christ drama would be enacted and hence recognized it for what it was when it occurred physically. Its power and strength then returned to the dream universe. It had increased its vigor and intensity through the physical materialization. In private dreams, men then related to the main figures in the drama, and in the dream state they recognized its true import.

[... 9 paragraphs ...]

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