“Seth material” search engine (Jane Roberts)

Whether or not Seth actually spoke to Sue in the dream is beside the point here. What is important is that symptoms disappeared as a result of a dream. She had worried about the condition and had requested help from her inner self; the dream was her answer. It’s possible, of course, that Sue’s unconscious adapted an authority figure to get the information about aggression through with greater impact, using Seth as a figurehead. (If you want to believe that Seth is an unconscious production of mine, then you must admit he lends himself rather well to the unconscious purposes of others and possesses a reality to them quite independent of his relationship to me. Later examples will make this clear.)

I won’t go into the out-of-body implications of that experience until later in this book; here, I’d like to emphasize, instead, the mood-changing elements of the “dream” and what it meant to me. In the next session, Seth explained it and showed how reincarnational background, present problems and personal symbolism were all used in the dream drama. Portions of the experience were dreams. Others were valid subjective events of a different kind, and the entire production was in response to my suggestions for a mood-changing dream.