“Seth material” search engine (Jane Roberts)

In her dream, Sue was given information that told her how to release and use this energy creatively. While she remembered the dream clearly and saw its instant results, the information was not given to the conscious self (not even in the dream drama) but to other layers more intimately concerned with body-mind mechanisms. Complete mobility of the arm and shoulder resulted, but there was still some soreness from the calcium deposits that remained.

I won’t go into the out-of-body implications of that experience until later in this book; here, I’d like to emphasize, instead, the mood-changing elements of the “dream” and what it meant to me. In the next session, Seth explained it and showed how reincarnational background, present problems and personal symbolism were all used in the dream drama. Portions of the experience were dreams. Others were valid subjective events of a different kind, and the entire production was in response to my suggestions for a mood-changing dream.