2 results for (book:nopr AND session:669 AND stemmed:symbol)

NoPR Part Two: Chapter 19: Session 669, June 11, 1973 2/53 (4%) imagination twenty simultaneous current solution
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 9 paragraphs ...]

Vague yearnings toward certain accomplishments may be clues that the necessary characteristics are inherent but untrained in the self that you know. In its own way, the twenty-four hour period represents both an entire lifetime and many lives in one. In it, symbolically, you have “death” as your physically attuned consciousness comes to the end of the amount of stimuli it can comfortably handle without rest. So, at your normal physical death, you come to the point where your earth-attuned consciousness can no longer handle further data without a “longer rest,” and organize it into a creative meaningful whole — in terms of time.

(9:56.) Each day therefore is an incarnation, so to speak, but not only symbolically — for through soul’s intersection with the flesh, each self mirrors daily its “reincarnational” or simultaneous selves.

[... 41 paragraphs ...]

NoPR Part Two: Chapter 20: Session 669, June 11, 1973 2/13 (15%) comma punctuation landscape indicia peacock
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 20: The Dream Landscape, the Physical World, Probabilities, and Your Daily Experience
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 4 paragraphs ...]

The dream world operates as a creative situation in which probable acts are instantly materialized, laid out in actual or symbolic form. From these you then choose the most appropriate for physical expression. There are other important reasons for dreaming, but here we will confine ourselves to this particular issue and to the dream landscape itself, period.

[... 6 paragraphs ...]

(For some of Seth’s earlier material on dreams, dream symbols and healing, nightmare therapy, etc., see sessions 639–41 in Chapter Ten.)

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