2 results for (book:nopr AND session:669 AND stemmed:reason)

NoPR Part Two: Chapter 19: Session 669, June 11, 1973 2/53 (4%) imagination twenty simultaneous current solution
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 1 paragraph ...]

(Before the session, we voiced the hope once more that Seth would at least comment on Jane’s latest experience involving book work in the sleep state. This had taken place during the early hours of May 29, and had been very vivid; see the notes leading off the 667th session in this chapter. Once again, though, for whatever reasons, Seth didn’t mention it. I also forgot to remind him to do so. It’s easy to miss out on asking specific questions during a session — I’ve done this even when I had a list of them prepared beforehand.

[... 31 paragraphs ...]

On the other hand you may draw another man to you, and end the marriage that has served its purposes in all ways, finding now the impetus and the reasons for change. Because your imagination transcends time, it is one of your greatest touchstones to your own identity.

[... 18 paragraphs ...]

NoPR Part Two: Chapter 20: Session 669, June 11, 1973 1/13 (8%) comma punctuation landscape indicia peacock
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 20: The Dream Landscape, the Physical World, Probabilities, and Your Daily Experience
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 4 paragraphs ...]

The dream world operates as a creative situation in which probable acts are instantly materialized, laid out in actual or symbolic form. From these you then choose the most appropriate for physical expression. There are other important reasons for dreaming, but here we will confine ourselves to this particular issue and to the dream landscape itself, period.

[... 7 paragraphs ...]

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