2 results for (book:nopr AND session:669 AND stemmed:landscap)

▼ NoPR Part Two: Chapter 19: Session 669, June 11, 1973 1/53 (2%) imagination twenty simultaneous current solution
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 46 paragraphs ...]

(Last evening had also been very warm, and Jane had slept poorly: She kept waking up with data about dream landscapes being “right there” before her, and wondered if she could travel among them “like crossing fences from one backyard to the next.” At the same time she knew that all of these localities were part of a mass dream landscape. As far as she knew the material hadn’t come from Seth, Jane said, but in retrospect it seems obvious that it had been in preparation for Chapter Twenty.

[... 5 paragraphs ...]

▼ NoPR Part Two: Chapter 20: Session 669, June 11, 1973 3/13 (23%) comma punctuation landscape indicia peacock
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 20: The Dream Landscape, the Physical World, Probabilities, and Your Daily Experience
– Session 669, June 11, 1973 9:40 P.M. Monday

THE DREAM LANDSCAPE, THE PHYSICAL WORLD, PROBABILITIES, AND YOUR DAILY EXPERIENCE

Now: Give us a moment… (Whispering:) Chapter Twenty: “The Dream Landscape, the Physical World, Probabilities, and Your Daily Experience.”

[... 2 paragraphs ...]

The dream world operates as a creative situation in which probable acts are instantly materialized, laid out in actual or symbolic form. From these you then choose the most appropriate for physical expression. There are other important reasons for dreaming, but here we will confine ourselves to this particular issue and to the dream landscape itself, period.

[... 7 paragraphs ...]

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