2 results for (book:nopr AND session:669 AND stemmed:here)

NoPR Part Two: Chapter 19: Session 669, June 11, 1973 2/53 (4%) imagination twenty simultaneous current solution
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 30 paragraphs ...]

There may be physical circumstances involving birth defects that are beyond alteration, where experience must be focused along other than usual pathways, yet even here those talents and characteristics that are available will open up vistas of experience and achievement.

[... 19 paragraphs ...]

3. I feel that I am such an artist. For some related material see my notes for the 582nd session in Chapter Twenty of Seth Speaks. It’s enough to say here that it wasn’t until after these sessions began, in 1963, that I realized my inner models were quite as valid as those who physically sat before me. Indeed, I often saw the former with a clearer vision, but my early training and work as a commercial artist, beginning in New York City in 1939, conditioned me to believe that the artist was supposed to deal only with what he could “see” objectively.

[... 1 paragraph ...]

NoPR Part Two: Chapter 20: Session 669, June 11, 1973 1/13 (8%) comma punctuation landscape indicia peacock
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 20: The Dream Landscape, the Physical World, Probabilities, and Your Daily Experience
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 4 paragraphs ...]

The dream world operates as a creative situation in which probable acts are instantly materialized, laid out in actual or symbolic form. From these you then choose the most appropriate for physical expression. There are other important reasons for dreaming, but here we will confine ourselves to this particular issue and to the dream landscape itself, period.

[... 7 paragraphs ...]

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