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NoPR Part Two: Chapter 19: Session 669, June 11, 1973 11/53 (21%) imagination twenty simultaneous current solution
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
– Session 669, June 11, 1973 9:40 P.M. Monday

(The night was very hot and uncomfortably humid, but Jane didn’t want to miss the session. We held it in her study for a change, with all the doors and windows open.

[... 6 paragraphs ...]

The window of each day can be opened or closed, but it is framed by your current psychological experience. Even when it is shut light shines through it, illuminating your daily life. In miniature form each day contains, in its own way, clues to all of your own simultaneous existences. The present self does not exist in isolation.

Within any given twenty-four hour period, then, traces and aspects of all of your other experiences appear in their own way. You each contain aspects of your other identities within your current selves — some very obvious perhaps and others barely noticeable. Abilities focused upon in one life may be recognized as your own now, for example, but not strongly utilized.

[... 8 paragraphs ...]

(10:10. “That was one of the few times in all of these sessions,” Jane said, “when I was not even in trance.” She had squirmed about on her chair constantly, but her delivery had picked up to its usual steady pace. For more data on moment points, see the material at 9:26 in the last session. Resume at 10:28.)

[... 2 paragraphs ...]

There simply is no time as you think of it, only a present in which all things occur. There are miracles of condensed information within the cells themselves that scientists cannot perceive, for they exist outside of the scope of physical instruments. In its own way, cellular comprehension includes a vast recognition of probabilities in your terms, and works with flashing manipulations in which these probabilities are contended with and responded to — and therefore altered.

[... 3 paragraphs ...]

(Pause at 10:50.) Often you inadvertently use it to prolong “negative” circumstances, as you think of all the things that you could do wrong. Yet you can employ it very constructively, altering past, present and future. To do so in your present, freely imagine a situation in which you are happy. To begin with your imaginings may seem foolish. If you are elderly, poor and lonely, it may seem highly ludicrous to think of yourself as twenty, wealthy, and surrounded by friends and admirers.

[... 1 paragraph ...]

Using age as an example now, it may seem to you that you are a given age, that within your subjective experience it must be paramount, that regardless of your age you are to some extent closed off from the experience of being any other age. In some simultaneous existences you are very young, however, and in others very old. Some of your physical cells are brand new, so to speak — the regeneration of fresh life is physically within you; in your terms this is true not only until your death but even after it, when your hair and nails can still grow. Identify then with the constantly new energy alive within you in this now of your being (very intently) and realize that on all levels you are biologically and psychologically connected with that greater identity that is your own.

[... 6 paragraphs ...]

On the other hand you may draw another man to you, and end the marriage that has served its purposes in all ways, finding now the impetus and the reasons for change. Because your imagination transcends time, it is one of your greatest touchstones to your own identity.

[... 7 paragraphs ...]

Such practice also activates within the self all of its unconscious but quite valid experiences, drawing out similar episodes on the part of other simultaneous lives. In one existence the old person is young. The unloved woman is indeed beloved. These unconscious realities become turned on through the use of the imagination. Each day is a window into each life.

[... 4 paragraphs ...]

(Last evening had also been very warm, and Jane had slept poorly: She kept waking up with data about dream landscapes being “right there” before her, and wondered if she could travel among them “like crossing fences from one backyard to the next.” At the same time she knew that all of these localities were part of a mass dream landscape. As far as she knew the material hadn’t come from Seth, Jane said, but in retrospect it seems obvious that it had been in preparation for Chapter Twenty.

(Seth was all ready to go, Jane added now as we discussed her dream material, so the session resumed at 12:03.)

[... 4 paragraphs ...]

NoPR Part Two: Chapter 20: Session 669, June 11, 1973 1/13 (8%) comma punctuation landscape indicia peacock
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 20: The Dream Landscape, the Physical World, Probabilities, and Your Daily Experience
– Session 669, June 11, 1973 9:40 P.M. Monday

[... 9 paragraphs ...]

(“All right. Good night, Seth.” End at 12:23 a.m.

[... 2 paragraphs ...]

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