“Seth material” search engine (Jane Roberts)

(And yet, as if to puzzle us further, Seth did talk about dream material that Jane had obtained just last night. This turned out to be in connection with Chapter Twenty….

Within any given twenty-four hour period, then, traces and aspects of all of your other experiences appear in their own way. You each contain aspects of your other identities within your current selves — some very obvious perhaps and others barely noticeable. Abilities focused upon in one life may be recognized as your own now, for example, but not strongly utilized.

Vague yearnings toward certain accomplishments may be clues that the necessary characteristics are inherent but untrained in the self that you know. In its own way, the twenty-four hour period represents both an entire lifetime and many lives in one. In it, symbolically, you have “death” as your physically attuned consciousness comes to the end of the amount of stimuli it can comfortably handle without rest. So, at your normal physical death, you come to the point where your earth-attuned consciousness can no longer handle further data without a “longer rest,” and organize it into a creative meaningful whole — in terms of time.

(Pause at 10:50.) Often you inadvertently use it to prolong “negative” circumstances, as you think of all the things that you could do wrong. Yet you can employ it very constructively, altering past, present and future. To do so in your present, freely imagine a situation in which you are happy. To begin with your imaginings may seem foolish. If you are elderly, poor and lonely, it may seem highly ludicrous to think of yourself as twenty, wealthy, and surrounded by friends and admirers.

(Last evening had also been very warm, and Jane had slept poorly: She kept waking up with data about dream landscapes being “right there” before her, and wondered if she could travel among them “like crossing fences from one backyard to the next.” At the same time she knew that all of these localities were part of a mass dream landscape. As far as she knew the material hadn’t come from Seth, Jane said, but in retrospect it seems obvious that it had been in preparation for Chapter Twenty.

3. I feel that I am such an artist. For some related material see my notes for the 582nd session in Chapter Twenty of Seth Speaks. It’s enough to say here that it wasn’t until after these sessions began, in 1963, that I realized my inner models were quite as valid as those who physically sat before me. Indeed, I often saw the former with a clearer vision, but my early training and work as a commercial artist, beginning in New York City in 1939, conditioned me to believe that the artist was supposed to deal only with what he could “see” objectively.

Now: Give us a moment… (Whispering:) Chapter Twenty: “The Dream Landscape, the Physical World, Probabilities, and Your Daily Experience.”