“Seth material” search engine (Jane Roberts)

(Yesterday, with two good friends helping us move all of the furniture, Jane switched rooms. That is, the living room in the hill house is now her writing room, and her one-time writing room at the back, north side of the house has become the living room — or call it the den-and-television room. The new arrangement seems to be a very comfortable one. Jane has been restless lately, and looking for a change. Our friends very accurately picked up on her need, likening the room changes to a mini-vacation for her.

Each person alive helps paint the living picture of civilization as it exists at any given time, in your terms. Be your own best artist. Your thoughts, feelings and expectations are like the living brush strokes with which you paint your corner of life’s landscape. If you do your best in your own life, then you are indeed helping to improve the quality of all life. Your thoughts are as real as snowflakes or raindrops or clouds. They mix and merge with the thoughts of others, to form man’s livingscape, providing the vast mental elements from which physical events will be formed.

There is no public act in which you are not in that same manner involved. You are intimately connected with all of the historic events of your time.

(“I always feel funny when he ends a book,” Jane couldn’t help saying. “I can never believe it. At the same time I want to race through it and see how it all came out….”

(Actually, both of us will continue to be as busy as ever. Jane plans to write an introduction for Mass Events next month, as summer draws to a close. In the meantime she’s occupied with her own latest book, The God of Jane: A Psychic Manifesto, which she started last May under the Heroics title [see the opening notes for the 854th session]. She’s written the first drafts for many of the chapters of the book by now, and has planned most of the rest of them — although she may change any of her work at any time. Now she reminded me that “a lot of God of Jane is written as my own response to stuff Seth gives in Mass Events.” Jane’s editor, Tam Mossman, hasn’t seen any of her new book yet, although he’s well acquainted with it through a series of lengthy telephone exchanges. Jane thinks she may sign the contracts for it later this year — before Christmas, that is. And her third Seven novel, Oversoul Seven and the Museum of Time, waits for her to return to work on it.

(While I’m doing my own work on Mass Events we’ll hold the sessions for Seth’s Dreams, “Evolution,” and Value Fulfillment, of course. My own long-range goal in working with the Seth books is one that I’ve found very difficult to achieve: I want to catch up on the backlog of work involved with the books so that I can devote most of my efforts to whatever the current Seth book is — while Seth is still producing it. This would certainly be a luxury for me; in my notes for Mass Events I’ve shown how complicated affairs could get for Jane and me when I had to juggle several projects at once over long periods of time.