1 result for (book:nome AND session:872 AND stemmed:convinc)
[... 2 paragraphs ...]
(“I’m a professional artist,” I wrote to the scientist, “and at times have been puzzled enough by questions about evolution to consider making my own series of drawings that would show the transformation from reptile to bird, for instance, just to see if I could do it convincingly…. But each time I start visualizing the results, I end up with two notions: First, that as I work with those intermediate forms I’ll become involved with myth and fantasy, rather than ‘fact.’ Just how did reptiles change into birds? What kind of intermediate forms were there? Second, the idea of my drawings makes me think that others must have done it already, not once but many times. So what I really want to ask you for are references to later textbooks, that are more clear and precise than those I have on the origin of major new species. I’m especially interested in visual data….”
(I wrote about evolution in Appendix 12 for Volume 2 of “Unknown” Reality. Following all the studying I had to do in order to produce that piece, I’ve become very cautious in considering the theory — after all, even the dictionaries still refer to it as the theory [my emphasis] of evolution! “It seems to me,” I said to Jane, “that if science wants to be believed, it should offer some data that are at least reasonably convincing. If science wants to talk about the tree of life, of reptiles turning into birds, then we’ve certainly got the right to see all — or at least most — of the leaves on the tree, not just those at the tips of the branches.” Meaning, of course, that many of those invisible leaves would represent the missing, physical, intermediate forms demanded by evolutionary theory.
[... 21 paragraphs ...]
(Pause at 10:07.) I understand that it appears that species have vanished, but again you must remember probabilities, and that those species simply “developed” along the patterns of probable earths. You are not just dealing with a one-line development of matter, but of an unimaginable creativity, in which all versions of your physical world exist, each one quite convinced of its physical nature. There are ramifications quite unspeakable, although in certain states of trance, or with the aid of educated dreaming, you might be able to glimpse the inner complications, the webworks of communications that connect your official earth with other probable ones. You choose your time and focus in physical reality again and again, and the mind holds an inner comprehension of many seemingly mysterious developments involving the species.
[... 12 paragraphs ...]