“Seth material” search engine (Jane Roberts)

Tonight, during a pleasant supper time, our friends Ruburt and Joseph watched a television production based upon the Cinderella fairy tale. According to the definition I gave earlier, this fairy tale is a myth. Surely it may seem that such a children’s tale has little to do with any serious adult discussion concerning anything so profound as the creation of the known world. And most certainly, it may appear, no scientifically pertinent data about the nature of events can possibly be uncovered from such a source.

For one thing, [the] Cinderella [tale] has a happy ending, of course, and is therefore highly unrealistic (with irony), according to many educators, since it does not properly prepare children for life’s necessary disappointments. Fairy godmothers are definitely a thing of the storyteller’s imagination, and many serious, earnest adults will tell you that daydreaming or wishing will get you nowhere.

In the Cinderella story, however, the heroine, though poor and of low estate, manages to attain a fulfilling and seemingly impossible goal. Her desire to attend a spectacular ball, and meet the prince, initiates a series of magical events, none following the dictates of logic. The fairy godmother, suddenly appearing, uses the normal objects of everyday life so that they are suddenly transformed, and we have a chariot¹ from a pumpkin, and other transformations of a like nature.

(10:02.) The tale of Cinderella becomes a fantasy, a delusion, or even a story about sexual awakening, in Freudian terms. The disappointments you have faced indeed make such a tale seem to be a direct contradiction to life’s realities. To some extent or another, however, the child in you remembers a certain sense of mastery only half realized, of power nearly grasped, then seemingly lost forever — and a dimension of existence in which dreams quite literally came true. The child in you sensed more, of course: It sensed its own greater reality in another framework entirely, from which it had only lately emerged — yet with which it was intimately connected. It felt itself surrounded, then, by the greater realities of Framework 2.

(11:26. Still in trance, Jane now came through with a few paragraphs of material for us. Among them was this insight, which Seth related to his discussion of the Cinderella fairy tale:)

2. Jane and I watched an adaptation of the Westernized Cinderella fairy tale, of course. I almost didn’t bother looking it up, but I’m glad I did, for we learned that the power of Cinderella has been much longer-lasting and more pervasive than we’d realized: The Cinderella tale reaches back to China in the 9th century, and exists in hundreds of versions around the world.