“Seth material” search engine (Jane Roberts)

The world’s ideas, fantasies, or myths may seem far divorced from current experience — yet all that you know or experience has its origin in that creative dimension of existence that I am terming Framework 2. In a manner of speaking your factual world rises on a bed of fantasy, myth, and imagination, from which all of your detailed paraphernalia emerge. What then is myth, and what do I mean by the term?

In this part (2) of the book, we are more or less dealing with the events of nature as you understand it. It will seem obvious to some, again, that a natural disaster is caused by God’s vengeance, or is at least a divine reminder to repent, while others will take it for granted that such a catastrophe is completely neutral in character, impersonal and [quite] divorced from man’s own emotional reality. The Christian scientist is caught in between. Because you divorce yourselves from nature, you are not able to understand its manifestations. Often your myths get in the way. When myths become standardized, and too literal, when you begin to tie them too tightly to the world of facts, then you misread them entirely. When myths become most factual they are already becoming less real. Their power becomes constrained.

You divorce yourselves from nature and nature’s intents far more than the animals do. Nature in its stormy manifestations seems like an adversary. You must either look for reasons outside of yourselves to explain what seems to be nature’s ill intent at such times, or its utter lack of concern.