“Seth material” search engine (Jane Roberts)

Give us a moment… Physicians, of course, are also constantly at the beck and call of many people who will take no responsibility at all for their own well-being, who will plead for operations they do not need. The physician is also visited by people who do not want to get well, and use the doctor and his methods as justification for further illness, saying: “The doctor is no good,” or “The medicine will not work,” therefore blaming the doctor for a way of life they have no intention of changing.

As I sorted through the mass of material Seth-Jane has produced these last weeks, I found myself once again charmed and mystified by the challenges contained in the art of writing. The painted image can be taken in at a glance, at any stage of its development, but the cognition of the written word takes much more time, no matter how fast one reads or absorbs new material. With a single look the artist has an immediate grasp of the entire work before him; he (or she) can tell what he’s done and has to do, what he may have to change or “fix up,” even if he fails at it. Not so the writer, who while reading must pass up the artist’s simultaneous perception for his own linear cognition as he makes a multitude of decisions involving sentence structure, what to use or eliminate, and so forth.

“But Seth apparently just delivers his material verbally, and that’s it,” Jane wrote after reading my first draft of this note. “Even in a long book, he doesn’t go through any of those cognitive processes Rob mentions. I do when I’m writing, editing, or rewriting my own work. If I do any of that work as Seth, it’s so unconscious and fast that I’m not aware of it. And Seth’s ‘writing’ needs hardly any changes.”