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NoME Part One: Chapter 2: Session 814, October 8, 1977 3/61 (5%) flu inoculations season disease shots
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part One: The Events of “Nature.” Epidemics and Natural Disasters
– Chapter 2: “Mass Meditations.” “Health” Plans for Disease. Epidemics of Beliefs, and Effective Mental “Inoculations” Against Despair
– Session 814, October 8, 1977 9:43 P.M. Saturday

[... 51 paragraphs ...]

As I sorted through the mass of material Seth-Jane has produced these last weeks, I found myself once again charmed and mystified by the challenges contained in the art of writing. The painted image can be taken in at a glance, at any stage of its development, but the cognition of the written word takes much more time, no matter how fast one reads or absorbs new material. With a single look the artist has an immediate grasp of the entire work before him; he (or she) can tell what he’s done and has to do, what he may have to change or “fix up,” even if he fails at it. Not so the writer, who while reading must pass up the artist’s simultaneous perception for his own linear cognition as he makes a multitude of decisions involving sentence structure, what to use or eliminate, and so forth.

Sometimes the artist in me visually comes to the aid of the writer by laying out pages of material and notes side by side upon a table or two. Then I can see what I’m trying to do as a whole, and half intuitively, half intellectually make decisions about how to organize passages I may be having problems with. This process is always very challenging and thrilling to me. It always seems to work, although progress may still be slow at times. This method also helps greatly in counteracting that initial impatience the artist part of me strongly feels when my writer self comes upon a complex situation.

I’m well aware of current scientific theories about the supposed separate functions of the two hemispheres of the brain: The left half is said to control logical activities like writing, while the right half is responsible for the intuitive artistic abilities. Perhaps — but after all, writing can be intuitively based, and art can be logically produced. At least the whole brain (its hemispheres are connected deep within by the corpus callosum) must contain that necessary basic creative ability that may then be apportioned out — but only to an extent, I think — between the hemispheres. Barring physical injury/surgery, there must be more communication between its halves (via the corpus callosum) than the brain is given credit for. There’s so much we don’t know yet about the brain (let alone the mind!). What about telepathy between the hemispheres? I think the divisions charted for the brain so far may be too strict, that beliefs about such separations may get in the way of our perception of the brain’s beautifully whole operation.

[... 6 paragraphs ...]

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