1 result for (book:nome AND session:814 AND stemmed:two)
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(Including the 806th session, those two blocks of material mean that in the last 20 weeks [or 4½ months], Seth has held but one session for Mass Events, and 28 on other subjects. “Maybe he’s already finished the book, and forgot to tell us,” I joked with Jane. “Maybe it’s going to be his shortest one yet.”
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(The two sets of material are also different in certain subtle ways, although one can always justifiably say that each subject Seth discusses is in some fashion a part of his overall philosophy. It would have to be that way, of course. In other words, it’s somewhat ironic that during the break in dictating Mass Events Seth-Jane actually produced the equivalent of another book, but one that we can’t do much about, at least at this time.1
[... 19 paragraphs ...]
So the Christmas season carries a man’s hopes in your society, and the flu season mirrors his fears and shows the gulf between the two.
[... 27 paragraphs ...]
Sometimes the artist in me visually comes to the aid of the writer by laying out pages of material and notes side by side upon a table or two. Then I can see what I’m trying to do as a whole, and half intuitively, half intellectually make decisions about how to organize passages I may be having problems with. This process is always very challenging and thrilling to me. It always seems to work, although progress may still be slow at times. This method also helps greatly in counteracting that initial impatience the artist part of me strongly feels when my writer self comes upon a complex situation.
I’m well aware of current scientific theories about the supposed separate functions of the two hemispheres of the brain: The left half is said to control logical activities like writing, while the right half is responsible for the intuitive artistic abilities. Perhaps — but after all, writing can be intuitively based, and art can be logically produced. At least the whole brain (its hemispheres are connected deep within by the corpus callosum) must contain that necessary basic creative ability that may then be apportioned out — but only to an extent, I think — between the hemispheres. Barring physical injury/surgery, there must be more communication between its halves (via the corpus callosum) than the brain is given credit for. There’s so much we don’t know yet about the brain (let alone the mind!). What about telepathy between the hemispheres? I think the divisions charted for the brain so far may be too strict, that beliefs about such separations may get in the way of our perception of the brain’s beautifully whole operation.
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2. I’ll remind the reader that Jane has already received inspiration and material for two books from her amazingly creative dream state: her novel, The Education of Oversoul Seven, and James. While dreaming she tuned into whole chapters of Seven, for instance.
3. I should also note that Seth has made one short, rather mysterious reference to the existence of Frameworks 3 and 4. Two days after he’d first talked about his concept of Frameworks 1 and 2, he came through with the following statement in another private session. Jane and I have yet to ask him to elaborate upon it: “There is, incidentally, a Framework 3 and a Framework 4, in the terms of our discussion — but all such labels are, again, only for the sake of explanation. The realities are merged.”
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