“Seth material” search engine (Jane Roberts)

(This flexibility also generates some challenges, however, for the great amount of material we’ve accumulated during the Mass Events hiatus gave us the urge to see what we could do about getting at least some of it published, so that others could benefit. The problem — the challenge — would be to find the physical time to do the necessary editing and notes to put such a manuscript in shape for publication; this would be a job that could easily take a year. Jane and I considered combining that hypothetical book with Mass Events, but figured out that the resulting volume would almost surely be too long; longer even than Volume 2 of “Unknown” Reality, which in our opinion is bulky enough.

(The two sets of material are also different in certain subtle ways, although one can always justifiably say that each subject Seth discusses is in some fashion a part of his overall philosophy. It would have to be that way, of course. In other words, it’s somewhat ironic that during the break in dictating Mass Events Seth-Jane actually produced the equivalent of another book, but one that we can’t do much about, at least at this time.¹

(Since the 806th session was held 10 weeks ago [on July 30], then, I’ve worked steadily on Volume 2 of “Unknown.” Late in August Jane interrupted her work on James to move all of her writing paraphernalia into her new room at the back of the house. Sue Watkins delivered the finished manuscript for several chapters of Psyche, and picked up more to type. Jane, who was to work on James all through September, prepared a presentation for that book so that in the meantime her editor, Tam Mossman, could show it to his associates at Prentice-Hall. On September 12, Jane had a very vivid dream that she believes was rooted in a past life of hers in Turkey: Her dream involved a little boy, Prince Emir, who lived in a brand-new world in which death hadn’t been invented yet. Over the telephone three days later, Tam suggested that Jane do a children’s book, or one for “readers of all ages,” based on her dream about Emir;² the next day he called again, this time to give her the delightful news that he’d accepted James for publication.

(Finally: Just before tonight’s session Jane said she thought Seth might do some work on Mass Events. She had a question about herself, and I asked for a few lines from Seth on whether she just might have been born left-handed. I want to use the material in connection with a passage I’m putting together for Volume 2 of “Unknown” Reality. [See the excerpts from Session 211, in Appendix 18 of that work.] However, Seth didn’t answer my question.)

In a few isolated areas of the world even today, the old are not disease-ridden, nor do their vital signs weaken. They remain quite healthy until the time of death.

You are literally expected to come down with the flu. It can serve as an excuse for not facing many kinds of problems. Many people are almost consciously aware of what they are doing. All they have to do is pay attention to the suggestions offered so freely by the society. The temperature does rise. Concern causes the throat to become dry. Dormant viruses — which up to now have done no harm — are activated.

The inoculations themselves do little good overall, and they can be potentially dangerous, particularly when they are given to prevent an epidemic which has not in fact occurred. They may have specific value, but overall they are detrimental, confusing bodily mechanisms and setting off other biological reactions that might not show up, say, for some time.⁵

The physician is also a private person, so I speak of him only in his professional capacity, for he usually does the best he can in the belief system that he shares with his fellows. Those beliefs do not exist alone, but are of course intertwined with religious and scientific ones, as separate as they might appear. Christianity has conventionally treated illness as the punishment of God, or as a trial sent by God, to be borne stoically. It has considered man a sinful creature, flawed by original sin, forced to work by the sweat of his brow.

Science has seen man as an accidental product of an uncaring universe, a creature literally without a center of meaning, where consciousness was the result of a physical mechanism that only happened to come into existence, and that had no reality outside of that structure. Science has at least been consistent in that respect. Christianity, however, officially asks children of sorrow to be joyful and sinners to find a childlike purity; it asks them to love a God who one day will destroy the world, and who will condemn them to hell if they do not adore him.

Your private beliefs merge with those of others, and form your cultural reality. The distorted ideas of the medical profession or the scientists, or of any other group, are not thrust upon you, therefore. They are the result of your mass beliefs — isolated in the form of separate disciplines. Medical men, for example, are often extremely unhealthy because they are so saddled with those specific health beliefs that their attention is concentrated in that area more than others not so involved. The idea of prevention is always based upon fear — for you do not want to prevent something that is joyful. Often, therefore, preventative medicine causes what it hopes to avoid. Not only does the idea [of prevention] continually promote the entire system of fear, but specific steps taken to prevent a disease in a body not already stricken, again, often set up reactions that bring about side effects that would occur if the disease had in fact been suffered.

There are individuals who very rarely get ill whether or not they are inoculated, and who are not sensitive in the health area. I am not implying, therefore, that all people react negatively to inoculations. In the most basic of terms, however, inoculations do no good, either, though I am aware that medical history would seem to contradict me.

Give us a moment… Physicians, of course, are also constantly at the beck and call of many people who will take no responsibility at all for their own well-being, who will plead for operations they do not need. The physician is also visited by people who do not want to get well, and use the doctor and his methods as justification for further illness, saying: “The doctor is no good,” or “The medicine will not work,” therefore blaming the doctor for a way of life they have no intention of changing.

In this country, your tax dollars go for many medical experiments and preventative-medicine drives — because you do not trust the good intent of your own bodies. In the same way, your government funds [also] go into military defenses to prevent war, because if you do not trust your own body’s good intent toward you, you can hardly trust any good intent on the part of your fellow men.

1. Here are a few comments I’ve always wanted to make about writing and painting, both of which I usually do each day.

As I sorted through the mass of material Seth-Jane has produced these last weeks, I found myself once again charmed and mystified by the challenges contained in the art of writing. The painted image can be taken in at a glance, at any stage of its development, but the cognition of the written word takes much more time, no matter how fast one reads or absorbs new material. With a single look the artist has an immediate grasp of the entire work before him; he (or she) can tell what he’s done and has to do, what he may have to change or “fix up,” even if he fails at it. Not so the writer, who while reading must pass up the artist’s simultaneous perception for his own linear cognition as he makes a multitude of decisions involving sentence structure, what to use or eliminate, and so forth.

Sometimes the artist in me visually comes to the aid of the writer by laying out pages of material and notes side by side upon a table or two. Then I can see what I’m trying to do as a whole, and half intuitively, half intellectually make decisions about how to organize passages I may be having problems with. This process is always very challenging and thrilling to me. It always seems to work, although progress may still be slow at times. This method also helps greatly in counteracting that initial impatience the artist part of me strongly feels when my writer self comes upon a complex situation.

“But Seth apparently just delivers his material verbally, and that’s it,” Jane wrote after reading my first draft of this note. “Even in a long book, he doesn’t go through any of those cognitive processes Rob mentions. I do when I’m writing, editing, or rewriting my own work. If I do any of that work as Seth, it’s so unconscious and fast that I’m not aware of it. And Seth’s ‘writing’ needs hardly any changes.”