“Seth material” search engine (Jane Roberts)

A species that senses a lack of this quality can in one way or another destroy its offspring — not because they could not survive otherwise, but because the quality of that survival would bring about vast suffering, for example, so distorting the nature of life as to almost make a mockery of it. Each species seeks for the development of its abilities and capacities in a framework in which safety is a medium for action. Danger in that context exists under certain conditions clearly known to the animals, clearly defined: The prey is known, for example, as is the hunter. But even the natural prey of another animal does not fear the “hunter” when the hunter animal is full of belly, nor will the hunter then attack.

Man, on the other hand, has more to contend with. He must deal with beliefs and feelings often so ambiguous that no clear line of action seems possible. The body often does not know how to react. If you believe that the body is sinful, for example, you cannot expect to be happy, and health will most likely elude you, for your dark beliefs will blemish the psychological and biological integrity with which you were born.

When man feels powerless, however, and in a state of generalized fear, he can even turn the most natural earthly ingredients against himself. Your television, and your arts and sciences as well, add up to mass meditations. In your culture, at least, the educated in the literary arts provide you with novels featuring antiheroes, and often portray an individual existence [as being] without meaning, in which no action is sufficient to mitigate the private puzzlement or anguish.

Many — not all — plotless novels or movies are the result of this belief in man’s powerlessness. In that context no action is heroic, and man is everywhere the victim of an alien universe. On the other hand your common, unlettered, violent television dramas do indeed provide a service, for they imaginatively specify a generalized fear in a given situation, which is then resolved through drama. Individual action counts. The plots may be stereotyped or the acting horrendous, but in the most conventional terms the “good” man wins.

Those programs often portray your cultural world in exaggerated terms, and most resolution is indeed through violence. Yet your more educated beliefs lead you to an even more pessimistic picture, in which even the violent action of men and women who are driven to the extreme serves no purpose. The individual must feel that his actions count. He is driven to violent action only as a last resort — and illness often is that last resort.