“Seth material” search engine (Jane Roberts)

There are also emotional interactions among the animals that completely escape you, and biological mechanisms, so that animals felled as natural prey by other animals “understand” their part in nature. They do not anticipate death before it happens, however. The fatal act propels the consciousness out from the flesh, so that in those terms it is merciful.

Your scientific beliefs tell you that your entire world happened accidentally. Your religions tell you that man is sinful: The body is not to be trusted; the senses can lead you astray. In this maze of beliefs you have largely lost a sense of your own worth and purpose. A generalized fear and suspicion is generated, and life too often becomes stripped of any heroic qualities. The body cannot react to generalized threats. It is, therefore, put under constant strain in such circumstances, and seeks to specify the danger. It is geared to act in your protection. It builds up strong stresses, therefore, so that on many occasions a specific disease or threat situation is “manufactured” to rid the body of a tension grown too strong to bear.

Many — not all — plotless novels or movies are the result of this belief in man’s powerlessness. In that context no action is heroic, and man is everywhere the victim of an alien universe. On the other hand your common, unlettered, violent television dramas do indeed provide a service, for they imaginatively specify a generalized fear in a given situation, which is then resolved through drama. Individual action counts. The plots may be stereotyped or the acting horrendous, but in the most conventional terms the “good” man wins.

(11:30.) Such programs do indeed pick up the generalized fears of the nation, but they also represent folk dramas — disdained by the intelligentsia — in which the common man can portray heroic capabilities, act concisely toward a desired end, and triumph.