“Seth material” search engine (Jane Roberts)

(At the same time, Jane and I are extremely grateful that we have the opportunity to study ideas about consciousness with Seth, and this opening up of our individual realities is something we couldn’t have conceived of before 1963. Our appreciation of life has expanded greatly — and if the Seth material did nothing but help us grow in that respect, it would perform a very valuable service. We hope others feel they’ve gained something from the material too. [Actually, I think that what I’ve learned has saved me from bitterness and disillusionment in later life. Jane has also been helped a great deal.] So our aim with the Seth books is to let Seth have his say, to add some thoughts of our own, and to trust that the feelings and meanings in all of this will evoke beneficial responses in each reader. It’s all we can do. I for one think that my own words are pretty inadequate tools of expression to convey the deeper, unspoken meanings within life that I sense but cannot really verbalize.

(“Think of yourselves, in important ways, as almost having been born in 1963 [when these sessions began]. The two of you — for you are both involved — have not only initiated a new framework from which you and others can view the nature of reality more clearly, but you also had to start from scratch, so to speak, to get the material, learn to trust it, and then to apply it to your own lives — even while ‘the facts were not all in yet.’ At no point did you have all of the material to draw upon, as for example, your readers do at any given point. So tell Ruburt not to judge himself too harshly, and in all of this have him try to remember his sense of play….”

(“All creativity is basically joyful. It is play in the highest sense of the term, and it is always alive with motion. The sessions and our work can help bring about a new mental species of men and women. Ideas change the chromosomes, but the sessions and Ruburt’s books, and so forth, must first and foremost be joyful expressions of creativity, spontaneous expressions that fall into their own order…. You paint because you love to paint, and forget what an artist is supposed to be or not to be. Have Ruburt forget what a writer or a psychic is supposed to be or not to be. Ruburt’s spontaneity lets all of his creative abilities emerge. It is foolhardy to try and apply discipline, or secondary order to a spontaneous creativity that automatically gives you the finest order that nature could ever provide.”

(“That isn’t nearly as conceited a statement as it seems to be, of course, for each thing each person does is also unique in the world. Yet, at the same time I mean that the sessions are truly original and significant, with their contents offering new creative insights and hope to the human species in a way that most endeavors do not do. In that sense the Seth business is a remarkable achievement on Jane’s part. I do believe that prolonged study of the Seth material would yield great results toward our understanding of ourselves….”

(We gave up our regularly scheduled sessions last week, and spent a great deal of time correcting the proofs for Volume 1 of “Unknown.”³ In fact, I didn’t finish my part of the job until midnight Sunday; then early this morning I mailed the whole thing to Tam Mossman, Jane’s editor at Prentice-Hall. By now both of us were bleary from all of those days and nights of concentrated labor, but still we wanted to hold the session. I sat opposite Jane in our quiet, softly-lit living room, working on these notes while I waited for her to take off her glasses and go easily into trance. I felt a familiar sense of anticipation as I thought of recording the excellent session to come. And that’s when Seth surprised us.)