1 result for (book:nome AND session:801 AND stemmed:number)
[... 5 paragraphs ...]
(By his own definition Seth is no longer a physical being, although he’s told us he’s lived a number of previous lives; thus, ideas of reincarnation enter into his material. Mass Events is the sixth1 book that Seth has produced — all of them with Jane’s active cooperation, obviously, as well as my own, since I write down his material verbatim, then add my own notes. Often Jane has little memory of the information she delivers as, or for, Seth. She began speaking for him in December 1963, and shows no signs of slackening her output. At times her Seth voice can be very powerful indeed, with an accent I have yet to succeed in describing. When she’s really into her trance state, her blue-gray eyes become much darker, much more luminous and penetrating. Seth calls Jane “Ruburt” and me “Joseph.” According to him, these “entity names” mean only that in our present lives we identify more with the male aspects of our entities, or whole selves — which in themselves are neither male or female, but contain within them a number of other selves [of both sexes] to whom we’re related, or a part of, reincarnationally and otherwise.
[... 37 paragraphs ...]
(10:19.) Now, no person becomes ill unless that illness serves a psychic or psychological reason, so many people escape such complications. In the meantime, however, scientists and medical men find more and more viruses against which the population “must” be inoculated. Each one is considered singly. There is a rush to develop a new inoculation against the newest virus. Much of this is on a predictive basis: The scientists “predict” how many people might be “attacked” by, say, a virus that has caused a given number of deaths. Then as a preventative measure the populace is invited to the new inoculation.
[... 34 paragraphs ...]
2. I don’t mean to confuse the reader by using the titles of Seth’s “old” books, but rather to show how Jane’s and my work encompasses a number of projects at once. That is, we have yet to manage to work on just one book of any kind at a time; that would be too simple! There’s always a long slow rate of turnover in our labors, it seems: As one book or project is finished, another rises almost effortlessly to take its place, and everything rolls along together until the next large change comes about.
[... 3 paragraphs ...]
This reconstruction of the past can be both fascinating and frustrating as I compare dates, session numbers, and our daily activities. Somehow, immersed in all of that minutiae of the past, I revive it so that it becomes part of the present once more — and that coexistence then reminds me of Seth’s idea of simultaneous time; perhaps, outside of dreaming, it’s the best approximation I can make of the paradoxical notion that all exists at once, and that all changes together, for each time I regard one of my past moments from the present, I change both that past and the present.
[... 2 paragraphs ...]
In January we obtained an unlisted telephone number, because we could no longer handle the 600-or-so calls a month that were coming in. Later in the month, Jane started writing James. In February 1977 we received from Prentice-Hall the copyedited manuscript for Volume 1 of “Unknown” Reality. (Copyediting is one of the earlier editorial stages a book goes through on its way to publication, and is meant to study all of the work that Jane and I and her editor, Tam Mossman, have already done on the manuscript: Before it’s set into type, a reader who works independently of the publishing firm carefully checks the manuscript for grammar, contradictions, facts, consistency, and so forth, and makes suggestions for whatever changes he or she thinks are desirable. Jane and I are free, of course, to reject any alterations we don’t agree with.) In March we checked the copyedited manuscript for Cézanne. Seth finished dictating Psyche early in April. A few days later we began correcting page proofs for Volume 1 of “Unknown.”
[... 1 paragraph ...]
Through all of this, we’ve usually kept the sessions going, to get both book work and other, often private material, seen a number of scheduled visitors — and some who weren’t scheduled — and participated in a few radio and newspaper interviews.
[... 9 paragraphs ...]