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[... 4 paragraphs ...]
(I’ll preface the workaday notes for the first session of Mass Events with the following comments, just to briefly summarize the lifetime endeavor that my wife, Jane Roberts, and I are involved in with the Seth books. Seth is a highly creative “energy personality essence,” as he calls himself, who speaks through Jane while she’s in a trance or dissociated state. These notes, then, are written shortly after Seth finished dictating Mass Events in August 1979. I’ve discussed some of the same points while introducing earlier books in the series, of course, although on each occasion I did so in a different way for variety’s sake. At the same time, Jane and I want each book to be complete in itself, so that the “new” reader can begin to understand what’s happening from the very beginning. Details about some of the subjects I’ll mention here can emerge as this book proceeds, or others are referred to. And these notes will also free Jane to deal with other matters in her Introduction for Mass Events.
[... 6 paragraphs ...]
(I also think that Seth himself could have some pretty funny things to say here to Jane and me — some day I’ll ask him — words with which he’d humorously caution us not to take the whole affair too seriously, to leave room in our daily lives for the simple, uninhibited joy of creative expression and living even while we study his unending outpouring of material. But maintaining such a balance isn’t always easy. Seth has already offered Jane encouragement twice since he finished his part of the work for Mass Events in August 1979. He came through with the following quotations when Jane began to express a renewed concern about her responsibility for his material, and for the reactions of others to it. Her feelings had arisen in large part because of the ever-increasing mail response the Seth books have generated. Interesting, then, the way the Seth portion of Jane’s personality structure [whatever Seth’s reality may be] reinforces those other portions that are meeting all of the challenges embodied in her current mental and physical existence — and we are continually seeking to learn more about how Seth is able to do this. In these excerpts Seth also touches upon certain other points that we think of often.
[... 37 paragraphs ...]
(10:35. “We’ll take the break, then.”
[... 24 paragraphs ...]
(I don’t know yet how I’ll go about producing my part of Mass Events, of course, but the reader, picking up the finished work, will be able to tell at a glance all the decisions I made: whether the session notes are long or short, numerous or scarce, how often I referred to the other Seth books, and whether or not I added any appendix material.
(“Well,” I told Jane as we went to bed, “right now my idea is that we’ll have only short notes and no appendixes. Doing things that way will speed up the publication date.” I’m all too conscious of the great amount of physical time I’m spending on the two volumes of “Unknown” Reality; I often feel responsible for holding up publication of Volume 2 especially, since Seth finished dictating it almost exactly two years ago. See the chronology of our activities in Note 2.)
[... 5 paragraphs ...]
In physical terms, three years is an important portion of one’s life span. What were Jane and I each doing all that time? We were involved in a whole group of endeavors. I’ll recap the major ones in order to place the beginning of Seth’s latest book, Mass Events, in context. I do this for my own sake as well as the reader’s, since I like to know exactly where I am in time, and what I mean and feel when writing even a short note for one of the Seth books.
[... 7 paragraphs ...]
3. Seth’s delivery is remarkably clear and unambiguous, but once in a while he’ll come through with an awkward sentence (as we all do), or one that combines the singular and the plural when one or the other should be used throughout, or he’ll repeat a certain word too often. On such occasions Jane and I may recast the sentence slightly while maintaining the syntax, or add a clarifying word or phrase in brackets [like this].
If I catch anything amiss in Seth’s delivery I’ll ask him about it. He may omit a word, or I may misinterpret what he says while I’m concentrating on my notetaking. In these cases Jane always spots the error at once when she reads my typed session transcript. But except for such minor alterations, or in the case of personal information, which we may delete, Seth’s material is presented as received, and we never arbitrarily eliminate any of it — occasionally to the pain of others, I’m afraid. We think it important that these sessions be given just as Jane delivers them, for after all the manner of that presentation, and its organization, are vital parts of the whole Seth phenomenon. So is the speed of delivery, for that matter. I want to remind the reader that the Seth books are spoken books rather than written ones, and that ordinarily Seth has no chance to revise his copy.
[... 6 paragraphs ...]