“Seth material” search engine (Jane Roberts)

(I’ll preface the workaday notes for the first session of Mass Events with the following comments, just to briefly summarize the lifetime endeavor that my wife, Jane Roberts, and I are involved in with the Seth books. Seth is a highly creative “energy personality essence,” as he calls himself, who speaks through Jane while she’s in a trance or dissociated state. These notes, then, are written shortly after Seth finished dictating Mass Events in August 1979. I’ve discussed some of the same points while introducing earlier books in the series, of course, although on each occasion I did so in a different way for variety’s sake. At the same time, Jane and I want each book to be complete in itself, so that the “new” reader can begin to understand what’s happening from the very beginning. Details about some of the subjects I’ll mention here can emerge as this book proceeds, or others are referred to. And these notes will also free Jane to deal with other matters in her Introduction for Mass Events.

(I also think that Seth himself could have some pretty funny things to say here to Jane and me — some day I’ll ask him — words with which he’d humorously caution us not to take the whole affair too seriously, to leave room in our daily lives for the simple, uninhibited joy of creative expression and living even while we study his unending outpouring of material. But maintaining such a balance isn’t always easy. Seth has already offered Jane encouragement twice since he finished his part of the work for Mass Events in August 1979. He came through with the following quotations when Jane began to express a renewed concern about her responsibility for his material, and for the reactions of others to it. Her feelings had arisen in large part because of the ever-increasing mail response the Seth books have generated. Interesting, then, the way the Seth portion of Jane’s personality structure [whatever Seth’s reality may be] reinforces those other portions that are meeting all of the challenges embodied in her current mental and physical existence — and we are continually seeking to learn more about how Seth is able to do this. In these excerpts Seth also touches upon certain other points that we think of often.

(And now for the notes I wrote in April 1977, opening the first session for Mass Events. Although I’ve added to my notes for Seth’s book since he finished dictating it, I’ve done so very briefly in order to keep them as contemporary as possible.)

(One might say that Mass Events had its origins two Seth books ago — way back in Volume I of “Unknown” Reality, which Seth finished dictating in June 1974. At 10:14 in the 697th session for that work, he made this statement: “I will have more to say concerning illnesses, epidemics, and mass disorders in this book.”

(It wasn’t until I was checking the page [or printer’s] proofs for Volume 1 last week that I realized Seth hadn’t followed through on his promise. I’d also forgotten to remind him to do so. I asked Jane if Seth could devote the next session to that subject matter so that I could insert it in Volume 2 of “Unknown” Reality as a note or an appendix, since I had plenty of work to do yet for that second volume. She agreed; we thought some very interesting material would result. We also thought it was a good time to pose questions for Seth — for just two weeks ago, in the 800th session, he’d finished dictating his own fifth book, The Nature of the Psyche: Its Human Expression.²

(We gave up our regularly scheduled sessions last week, and spent a great deal of time correcting the proofs for Volume 1 of “Unknown.”³ In fact, I didn’t finish my part of the job until midnight Sunday; then early this morning I mailed the whole thing to Tam Mossman, Jane’s editor at Prentice-Hall. By now both of us were bleary from all of those days and nights of concentrated labor, but still we wanted to hold the session. I sat opposite Jane in our quiet, softly-lit living room, working on these notes while I waited for her to take off her glasses and go easily into trance. I felt a familiar sense of anticipation as I thought of recording the excellent session to come. And that’s when Seth surprised us.)

(Jane had started doing some typing on the final manuscript for Seth’s The Nature of the Psyche: Its Human Expression a couple of days ago. She was also working on her own The Afterdeath Journal of an American Philosopher: The World View of William James. Yet I thought she needed the stimulus of Seth having something underway. There was more than a little irony in the situation, for I was the one who’d told her flat out, back in July 1975, that she was going to start Psyche, just so that she’d have a Seth book to play with. [I’d also wanted to see what she and Seth would come up with on demand.] But this time Seth fooled me and started Mass Events only a couple of weeks after finishing Psyche. I was all for it, though, I told Jane enthusiastically. It’s always a pleasure to work on a Seth book, to explore with him his unique view of reality, and to try to put at least a few of his ideas to use in our everyday, “practical” world. I repeated my thought that it didn’t matter how many Seth books she piled up ahead of contract, or publication: That was certainly a more creative and exciting position to be in than if one didn’t have anything ahead. Jane agreed, while still worrying about what we were going to do with all of the material as it accumulated year after year. At this time there’s no way we’re going to see it all published.

(I don’t know yet how I’ll go about producing my part of Mass Events, of course, but the reader, picking up the finished work, will be able to tell at a glance all the decisions I made: whether the session notes are long or short, numerous or scarce, how often I referred to the other Seth books, and whether or not I added any appendix material.

(“Well,” I told Jane as we went to bed, “right now my idea is that we’ll have only short notes and no appendixes. Doing things that way will speed up the publication date.” I’m all too conscious of the great amount of physical time I’m spending on the two volumes of “Unknown” Reality; I often feel responsible for holding up publication of Volume 2 especially, since Seth finished dictating it almost exactly two years ago. See the chronology of our activities in Note 2.)

2. I don’t mean to confuse the reader by using the titles of Seth’s “old” books, but rather to show how Jane’s and my work encompasses a number of projects at once. That is, we have yet to manage to work on just one book of any kind at a time; that would be too simple! There’s always a long slow rate of turnover in our labors, it seems: As one book or project is finished, another rises almost effortlessly to take its place, and everything rolls along together until the next large change comes about.

Note that even though Seth finished dictating Volume 1 of “Unknown” Reality almost three years ago (in June 1974), and I completed my own notes and appendixes for it six months ago, we’re just now coming to the end of the long, complicated process involved in following the manuscript through the editorial and production stages necessary to get the book out into the marketplace. Checking the page proofs is the last stage we go through before publication, and Volume 1 is due to be marketed this summer — probably in July.

Another purpose is involved in presenting Mass Events in context, though: I plan to use current professional and personal events from our lives as a sort of background or framework for the book as Jane delivers it for Seth. But right now, here’s a chronological list of our activities from June 17, 1974, when Seth finished his share of the work on Volume I of “Unknown Reality” to April 18, 1977 (today) when I mailed the corrected page proofs for that volume to Jane’s publisher.

Beginning in June 1974, then, while writing notes and appendixes for Volume 1 of “Unknown”, and taking Seth’s dictation for Volume 2, I spent eight months producing the art work for Jane’s Adventures in Consciousness and for her book of poetry, Dialogues of the Soul and Mortal Self in Time; I finished all of those drawings in January 1975. In the meantime Jane completed Adventures in August 1974, and started Psychic Politics that October. In March 1975 we took time out to move from the apartment house in downtown Elmira to our “hill house” just outside the city. Jane finished dictating Volume 2 of “Unknown” for Seth in April 1975, and I started my notes and appendixes for it. In July 1975 Seth began The Nature of the Psyche: Its Human Expression, and in December of that year Jane initiated work on her own The World View of Paul Cézanne: A Psychic Interpretation. She finished Politics in February 1976, and Cézanne in September; Politics was published that September also. I completed my own writing for Volume 1 of “Unknown” in October. Our 16-year-old cat, Willy, died early in November, and two days later we obtained a kitten, Willy Two (or Billy, as we soon came to call him), from an area humane society. I finished typing the manuscript for Volume 1 late in November, spent December checking it, and mailed it to Prentice-Hall early in January 1977.

In January we obtained an unlisted telephone number, because we could no longer handle the 600-or-so calls a month that were coming in. Later in the month, Jane started writing James. In February 1977 we received from Prentice-Hall the copyedited manuscript for Volume 1 of “Unknown” Reality. (Copyediting is one of the earlier editorial stages a book goes through on its way to publication, and is meant to study all of the work that Jane and I and her editor, Tam Mossman, have already done on the manuscript: Before it’s set into type, a reader who works independently of the publishing firm carefully checks the manuscript for grammar, contradictions, facts, consistency, and so forth, and makes suggestions for whatever changes he or she thinks are desirable. Jane and I are free, of course, to reject any alterations we don’t agree with.) In March we checked the copyedited manuscript for Cézanne. Seth finished dictating Psyche early in April. A few days later we began correcting page proofs for Volume 1 of “Unknown.”

At this time, I’m still working on the notes and appendixes for Volume 2 of “Unknown,” even while Seth has begun Mass Events. Jane and I have already planned our approach to Psyche (which Seth has just finished), and it’s to be published shortly after Volume 2 is. To top off our activities of the moment, we’re having the front porch of the hill house rebuilt — with a new raised floor and screening all around, so that Jane can write there in the summertime. The workmen swarming around all day, and the noise involved, are both exciting and distracting. But I have a feeling that the front porch affair isn’t the end of our construction odyssey: Jane has a certain speculative look when she notes that we have but one car — she doesn’t drive — to occupy the large two-car garage attached to the rear of the house. What better idea than to convert half of the garage into a writing room, with sliding glass doors, and add a screened-in porch there also? After all, she commented recently, the porch would protect our back door, too, especially from all of that winter weather….

5. Seth referred to evolution in both volumes of “Unknown” Reality. As it happens, I’ve just finished writing a rather long dissertation on the subject for Volume 2. It will be presented as Appendix 12.