“Seth material” search engine (Jane Roberts)

(Yet even producing the Seth books — along with a great amount of unpublished Seth material — doesn’t call upon all of Jane’s abilities, for she’s also written 10 books “on her own.” These include works of poetry, fiction, and psychic matters as experienced from her own conscious viewpoint. She has several more books in progress. It’s safe to note, however, that now all of her work bears upon that unique, still-growing view of consciousness expressed by Seth and herself. And so does mine.

(At the same time, Jane and I are extremely grateful that we have the opportunity to study ideas about consciousness with Seth, and this opening up of our individual realities is something we couldn’t have conceived of before 1963. Our appreciation of life has expanded greatly — and if the Seth material did nothing but help us grow in that respect, it would perform a very valuable service. We hope others feel they’ve gained something from the material too. [Actually, I think that what I’ve learned has saved me from bitterness and disillusionment in later life. Jane has also been helped a great deal.] So our aim with the Seth books is to let Seth have his say, to add some thoughts of our own, and to trust that the feelings and meanings in all of this will evoke beneficial responses in each reader. It’s all we can do. I for one think that my own words are pretty inadequate tools of expression to convey the deeper, unspoken meanings within life that I sense but cannot really verbalize.

(I also think that Seth himself could have some pretty funny things to say here to Jane and me — some day I’ll ask him — words with which he’d humorously caution us not to take the whole affair too seriously, to leave room in our daily lives for the simple, uninhibited joy of creative expression and living even while we study his unending outpouring of material. But maintaining such a balance isn’t always easy. Seth has already offered Jane encouragement twice since he finished his part of the work for Mass Events in August 1979. He came through with the following quotations when Jane began to express a renewed concern about her responsibility for his material, and for the reactions of others to it. Her feelings had arisen in large part because of the ever-increasing mail response the Seth books have generated. Interesting, then, the way the Seth portion of Jane’s personality structure [whatever Seth’s reality may be] reinforces those other portions that are meeting all of the challenges embodied in her current mental and physical existence — and we are continually seeking to learn more about how Seth is able to do this. In these excerpts Seth also touches upon certain other points that we think of often.

(“All creativity is basically joyful. It is play in the highest sense of the term, and it is always alive with motion. The sessions and our work can help bring about a new mental species of men and women. Ideas change the chromosomes, but the sessions and Ruburt’s books, and so forth, must first and foremost be joyful expressions of creativity, spontaneous expressions that fall into their own order…. You paint because you love to paint, and forget what an artist is supposed to be or not to be. Have Ruburt forget what a writer or a psychic is supposed to be or not to be. Ruburt’s spontaneity lets all of his creative abilities emerge. It is foolhardy to try and apply discipline, or secondary order to a spontaneous creativity that automatically gives you the finest order that nature could ever provide.”

(Jane had started doing some typing on the final manuscript for Seth’s The Nature of the Psyche: Its Human Expression a couple of days ago. She was also working on her own The Afterdeath Journal of an American Philosopher: The World View of William James. Yet I thought she needed the stimulus of Seth having something underway. There was more than a little irony in the situation, for I was the one who’d told her flat out, back in July 1975, that she was going to start Psyche, just so that she’d have a Seth book to play with. [I’d also wanted to see what she and Seth would come up with on demand.] But this time Seth fooled me and started Mass Events only a couple of weeks after finishing Psyche. I was all for it, though, I told Jane enthusiastically. It’s always a pleasure to work on a Seth book, to explore with him his unique view of reality, and to try to put at least a few of his ideas to use in our everyday, “practical” world. I repeated my thought that it didn’t matter how many Seth books she piled up ahead of contract, or publication: That was certainly a more creative and exciting position to be in than if one didn’t have anything ahead. Jane agreed, while still worrying about what we were going to do with all of the material as it accumulated year after year. At this time there’s no way we’re going to see it all published.

1. In the order of their publication the five previous Seth books are: Seth Speaks: The Eternal Validity of the Soul; The Nature of Personal Reality: A Seth Book; Volumes 1 and 2 of the “Unknown” Reality: A Seth Book; and The Nature of the Psyche: Its Human Expression. All of Jane’s books, whether produced with or without Seth, are listed in the frontmatter of Mass Events, with publication dates.

Beginning in June 1974, then, while writing notes and appendixes for Volume 1 of “Unknown”, and taking Seth’s dictation for Volume 2, I spent eight months producing the art work for Jane’s Adventures in Consciousness and for her book of poetry, Dialogues of the Soul and Mortal Self in Time; I finished all of those drawings in January 1975. In the meantime Jane completed Adventures in August 1974, and started Psychic Politics that October. In March 1975 we took time out to move from the apartment house in downtown Elmira to our “hill house” just outside the city. Jane finished dictating Volume 2 of “Unknown” for Seth in April 1975, and I started my notes and appendixes for it. In July 1975 Seth began The Nature of the Psyche: Its Human Expression, and in December of that year Jane initiated work on her own The World View of Paul Cézanne: A Psychic Interpretation. She finished Politics in February 1976, and Cézanne in September; Politics was published that September also. I completed my own writing for Volume 1 of “Unknown” in October. Our 16-year-old cat, Willy, died early in November, and two days later we obtained a kitten, Willy Two (or Billy, as we soon came to call him), from an area humane society. I finished typing the manuscript for Volume 1 late in November, spent December checking it, and mailed it to Prentice-Hall early in January 1977.