“Seth material” search engine (Jane Roberts)

(I’ll preface the workaday notes for the first session of Mass Events with the following comments, just to briefly summarize the lifetime endeavor that my wife, Jane Roberts, and I are involved in with the Seth books. Seth is a highly creative “energy personality essence,” as he calls himself, who speaks through Jane while she’s in a trance or dissociated state. These notes, then, are written shortly after Seth finished dictating Mass Events in August 1979. I’ve discussed some of the same points while introducing earlier books in the series, of course, although on each occasion I did so in a different way for variety’s sake. At the same time, Jane and I want each book to be complete in itself, so that the “new” reader can begin to understand what’s happening from the very beginning. Details about some of the subjects I’ll mention here can emerge as this book proceeds, or others are referred to. And these notes will also free Jane to deal with other matters in her Introduction for Mass Events.

(We usually hold two “sessions,” or meetings with Seth each week, totaling three or four hours, but we think that actually Seth could talk 24 hours a day for the rest of our lives, and still not cover all of the material he’s capable of tuning in to for us. [The only trouble is that Jane and I wouldn’t last long!] That astonishing creativity and energy in the sessions beckon us on constantly, then, regardless of what we think about Seth’s “reality or nonreality,” and even regardless of what he tells us about himself.

(I also think that Seth himself could have some pretty funny things to say here to Jane and me — some day I’ll ask him — words with which he’d humorously caution us not to take the whole affair too seriously, to leave room in our daily lives for the simple, uninhibited joy of creative expression and living even while we study his unending outpouring of material. But maintaining such a balance isn’t always easy. Seth has already offered Jane encouragement twice since he finished his part of the work for Mass Events in August 1979. He came through with the following quotations when Jane began to express a renewed concern about her responsibility for his material, and for the reactions of others to it. Her feelings had arisen in large part because of the ever-increasing mail response the Seth books have generated. Interesting, then, the way the Seth portion of Jane’s personality structure [whatever Seth’s reality may be] reinforces those other portions that are meeting all of the challenges embodied in her current mental and physical existence — and we are continually seeking to learn more about how Seth is able to do this. In these excerpts Seth also touches upon certain other points that we think of often.

(“There is a power of growth and value fulfillment within each individual that must be satisfied. It is the power that makes physical growth possible, the power that is behind the fetus. You know ahead of time the nature of the period into which you will be born. You [Jane and Rob, or Ruburt and Joseph] were both born with certain abilities, and you knew ahead of time that you would have to enlarge the framework of conventional concepts if you were to have room to use those abilities. In a way, they gave you both a second life, for in the old framework there was no satisfying [underlined] or creative way to go.

(“All creativity is basically joyful. It is play in the highest sense of the term, and it is always alive with motion. The sessions and our work can help bring about a new mental species of men and women. Ideas change the chromosomes, but the sessions and Ruburt’s books, and so forth, must first and foremost be joyful expressions of creativity, spontaneous expressions that fall into their own order…. You paint because you love to paint, and forget what an artist is supposed to be or not to be. Have Ruburt forget what a writer or a psychic is supposed to be or not to be. Ruburt’s spontaneity lets all of his creative abilities emerge. It is foolhardy to try and apply discipline, or secondary order to a spontaneous creativity that automatically gives you the finest order that nature could ever provide.”

(Those two excerpts from Seth contain inspired thinking — especially portions about the power of value fulfillment, and the joy and spontaneity involved in creativity. As I typed his material I was reminded of the notes I wrote and played with the other day:

(“That isn’t nearly as conceited a statement as it seems to be, of course, for each thing each person does is also unique in the world. Yet, at the same time I mean that the sessions are truly original and significant, with their contents offering new creative insights and hope to the human species in a way that most endeavors do not do. In that sense the Seth business is a remarkable achievement on Jane’s part. I do believe that prolonged study of the Seth material would yield great results toward our understanding of ourselves….”

(Jane had started doing some typing on the final manuscript for Seth’s The Nature of the Psyche: Its Human Expression a couple of days ago. She was also working on her own The Afterdeath Journal of an American Philosopher: The World View of William James. Yet I thought she needed the stimulus of Seth having something underway. There was more than a little irony in the situation, for I was the one who’d told her flat out, back in July 1975, that she was going to start Psyche, just so that she’d have a Seth book to play with. [I’d also wanted to see what she and Seth would come up with on demand.] But this time Seth fooled me and started Mass Events only a couple of weeks after finishing Psyche. I was all for it, though, I told Jane enthusiastically. It’s always a pleasure to work on a Seth book, to explore with him his unique view of reality, and to try to put at least a few of his ideas to use in our everyday, “practical” world. I repeated my thought that it didn’t matter how many Seth books she piled up ahead of contract, or publication: That was certainly a more creative and exciting position to be in than if one didn’t have anything ahead. Jane agreed, while still worrying about what we were going to do with all of the material as it accumulated year after year. At this time there’s no way we’re going to see it all published.

(“But I’m really surprised. I had no idea of this tonight,” Jane said as soon as she was Jane again — thereupon emphasizing anew some of our endless questions about the Seth phenomenon: What portion of her personality, or entity, whether that portion might be called a Seth, or whatever, had been busy planning — organizing — this new endeavor? And how could such a creative process take place without her having at least some conscious intimations of it? What were the limits of human accomplishment?