“Seth material” search engine (Jane Roberts)

(We gave up our regularly scheduled sessions last week, and spent a great deal of time correcting the proofs for Volume 1 of “Unknown.”³ In fact, I didn’t finish my part of the job until midnight Sunday; then early this morning I mailed the whole thing to Tam Mossman, Jane’s editor at Prentice-Hall. By now both of us were bleary from all of those days and nights of concentrated labor, but still we wanted to hold the session. I sat opposite Jane in our quiet, softly-lit living room, working on these notes while I waited for her to take off her glasses and go easily into trance. I felt a familiar sense of anticipation as I thought of recording the excellent session to come. And that’s when Seth surprised us.)

(11:57. The telephone began to ring. The sudden noise was a shock, so deep was our mutual concentration. Yet Jane didn’t come out of trance. As Seth, she stared at me; I stared back, making no effort to take the call. Fortunately, the ringing soon stopped.)

If I catch anything amiss in Seth’s delivery I’ll ask him about it. He may omit a word, or I may misinterpret what he says while I’m concentrating on my notetaking. In these cases Jane always spots the error at once when she reads my typed session transcript. But except for such minor alterations, or in the case of personal information, which we may delete, Seth’s material is presented as received, and we never arbitrarily eliminate any of it — occasionally to the pain of others, I’m afraid. We think it important that these sessions be given just as Jane delivers them, for after all the manner of that presentation, and its organization, are vital parts of the whole Seth phenomenon. So is the speed of delivery, for that matter. I want to remind the reader that the Seth books are spoken books rather than written ones, and that ordinarily Seth has no chance to revise his copy.