“Seth material” search engine (Jane Roberts)

(It wasn’t until I was checking the page [or printer’s] proofs for Volume 1 last week that I realized Seth hadn’t followed through on his promise. I’d also forgotten to remind him to do so. I asked Jane if Seth could devote the next session to that subject matter so that I could insert it in Volume 2 of “Unknown” Reality as a note or an appendix, since I had plenty of work to do yet for that second volume. She agreed; we thought some very interesting material would result. We also thought it was a good time to pose questions for Seth — for just two weeks ago, in the 800th session, he’d finished dictating his own fifth book, The Nature of the Psyche: Its Human Expression.²

Note that even though Seth finished dictating Volume 1 of “Unknown” Reality almost three years ago (in June 1974), and I completed my own notes and appendixes for it six months ago, we’re just now coming to the end of the long, complicated process involved in following the manuscript through the editorial and production stages necessary to get the book out into the marketplace. Checking the page proofs is the last stage we go through before publication, and Volume 1 is due to be marketed this summer — probably in July.

Beginning in June 1974, then, while writing notes and appendixes for Volume 1 of “Unknown”, and taking Seth’s dictation for Volume 2, I spent eight months producing the art work for Jane’s Adventures in Consciousness and for her book of poetry, Dialogues of the Soul and Mortal Self in Time; I finished all of those drawings in January 1975. In the meantime Jane completed Adventures in August 1974, and started Psychic Politics that October. In March 1975 we took time out to move from the apartment house in downtown Elmira to our “hill house” just outside the city. Jane finished dictating Volume 2 of “Unknown” for Seth in April 1975, and I started my notes and appendixes for it. In July 1975 Seth began The Nature of the Psyche: Its Human Expression, and in December of that year Jane initiated work on her own The World View of Paul Cézanne: A Psychic Interpretation. She finished Politics in February 1976, and Cézanne in September; Politics was published that September also. I completed my own writing for Volume 1 of “Unknown” in October. Our 16-year-old cat, Willy, died early in November, and two days later we obtained a kitten, Willy Two (or Billy, as we soon came to call him), from an area humane society. I finished typing the manuscript for Volume 1 late in November, spent December checking it, and mailed it to Prentice-Hall early in January 1977.

In January we obtained an unlisted telephone number, because we could no longer handle the 600-or-so calls a month that were coming in. Later in the month, Jane started writing James. In February 1977 we received from Prentice-Hall the copyedited manuscript for Volume 1 of “Unknown” Reality. (Copyediting is one of the earlier editorial stages a book goes through on its way to publication, and is meant to study all of the work that Jane and I and her editor, Tam Mossman, have already done on the manuscript: Before it’s set into type, a reader who works independently of the publishing firm carefully checks the manuscript for grammar, contradictions, facts, consistency, and so forth, and makes suggestions for whatever changes he or she thinks are desirable. Jane and I are free, of course, to reject any alterations we don’t agree with.) In March we checked the copyedited manuscript for Cézanne. Seth finished dictating Psyche early in April. A few days later we began correcting page proofs for Volume 1 of “Unknown.”