“Seth material” search engine (Jane Roberts)

(Long pause at 9:44.) It is probably almost impossible for man to see that he forms the idea of historical context through his own associations and focuses. The heavy, specialized use of so-called rational thought has often caused him to narrow even his neurological recognition of other kinds of experience that might enlarge his view. In dreams there is greater leeway in that regard. Consciousness becomes more familiar with its own inner motion, and even with the kinds of work and actions it performs outside of its usual waking prejudices. The story of the Creation, as Biblically stated, is the symbolic representation of a master event—a legend that became its own event, of course, forming about it whole arts and cultures, religions and disciplines. The same applies to Christianity itself, for all of the seemingly historical events connected with the official (underlined) Christ did not happen in physical reality. They happened at another level of actuality, and were inserted into your time framework—touching a character here, a definitely known historical event there, mixing and merging with the events of the time, until the two lines of activity were so entwined that you could not unravel one without unraveling the other (all very intently).

“Now,” Seth said when he resumed the session at 10:13, “Ruburt’s body is trying to right itself. When he lies down, it is trying to straighten out. Nerve patterns are being reactivated, circulation patterns reinforced, muscles contracting and expanding in their own exercises, right now, in a concentrated, rather intensified bodily commotion. You are used to thinking of any bodily commotion as disruptive, and put it in the worst possible light because your backgrounds have given you little experience in such situations—you, Ruburt, or anyone else—largely in your culture.