“Seth material” search engine (Jane Roberts)

The very idea of protection, however, as you know, implies a threat—so if you believe in threats you had better have protection. It was not necessary for Ruburt to see the form again—merely to sense the reality of that powerful energy, and realize that it worked on his behalf. In a fashion the form also represented the innocent and powerful inner self, or spontaneous self, or naturally magical self—the terms are synonymous.

Then somehow our conversation led me to wonder whether our cat, Billy, is color-blind, as we’ve heard most animals are. So far Billy had spent the session beside me on the couch, alternately napping and preening himself. I’d been admiring the loving care with which he’d addressed himself to each portion of his body. In the light from the lamp above and behind my right shoulder on the room divider, his greenish eyes were so beautifully colored, yet mysterious, that I found it hard to believe he can’t see color. I also asked Jane about what use the gorgeous colors of Billy’s luxurious fur are to him if he can’t appreciate those patches and stripes of sienna, black, warm gray, and pure white. Or do his colors serve other purposes for him that we’re unaware of? Intuitively, I felt that more is involved here than questions of camouflage and protection—that at the very least there must be connections between Billy and his colors in this reality and his source in a nonphysical one.⁴

(Long pause at 10:18.) In a fashion—and forgive me for using one of my favorite qualifications again—but in a fashion, cultures do not evolve in the kind of straightforward manner that is usually supposed. Of course, cultures change, but man instantly began to fashion culture, as for example beavers instantly began to form dams. They did not learn how to form dams through trial and error (humorously). They did not for untold centuries build faulty dams, for example. They were born, or created, dam makers.

3. Among others in The Nature of Personal Reality: A Seth Book, see Chapter 9: Seth discusses the state of grace, natural guilt, artificial guilt, and related subjects.